Repetition and Memory

by Emiter

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1.
Form 1 13:26
2.
Form 2 14:18

about

Recording, listening, movement, rhythm. There are many traces that create infinite possibilities to combine into new qualities. Traces, recording, time, frequency. Repetition and memory. Alan Burdick writes that “The golden age of the ear never ended (…) It continues, veiled by the hegemony of the visual” but “The history of the ear” resounds in obscurity.

Marcin Dymiter works in the field of electronic music, field recording and improvised music. He creates sound installations, radio plays, film music, theater performances, exhibitions and public spaces. He is the author of the Field Notes project's sound maps and conducts sound workshops and an action that approximates the idea of field recording. He plays in the projects emiter, niski szum, ZEMITER, PICA_PICA and other, ephemeral formations. He is a music producer, a listener and participant of music and improvisation workshops led by, among others, Le Quan Ninh, Andrew Sharpley, John Butcher, Robin Minard or Wolfgang Fuchs. He was a scholarship holder of the University of Art in Berlin, finalist of the Netmage International Multimedia Festival in Bologna. Member of the Polish Association of Electroacoustic Music.

credits

released November 19, 2024

Composed, recorded, mixed between September 2022 and February 2024.
Music, editing & mastering by Marcin Dymiter.
Cover art by Rosemary Lee.

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Crónica Oporto, Portugal

Crónica is an artist-run, non-profit label dedicated to sound art and electronic, computational, and experimental music.

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