Recording, listening, movement, rhythm. There are many traces that create infinite possibilities to combine into new qualities. Traces, recording, time, frequency. Repetition and memory. Alan Burdick writes that “The golden age of the ear never ended (…) It continues, veiled by the hegemony of the visual” but “The history of the ear” resounds in obscurity.
Marcin Dymiter works in the field of electronic music, field recording and improvised music. He creates sound installations, radio plays, film music, theater performances, exhibitions and public spaces. He is the author of the Field Notes project's sound maps and conducts sound workshops and an action that approximates the idea of field recording. He plays in the projects emiter, niski szum, ZEMITER, PICA_PICA and other, ephemeral formations. He is a music producer, a listener and participant of music and improvisation workshops led by, among others, Le Quan Ninh, Andrew Sharpley, John Butcher, Robin Minard or Wolfgang Fuchs. He was a scholarship holder of the University of Art in Berlin, finalist of the Netmage International Multimedia Festival in Bologna. Member of the Polish Association of Electroacoustic Music.
credits
released November 19, 2024
Composed, recorded, mixed between September 2022 and February 2024.
Music, editing & mastering by Marcin Dymiter.
Cover art by Rosemary Lee.
supported by 8 fans who also own “Repetition and Memory”
One of her strongest works ever. This album has deep ambient drone instrumentals, but also some almost krautrock-y moments which I seriously love. 5/5. zensounds / Stephan Kunze
The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror. Bandcamp New & Notable Jan 30, 2023
supported by 7 fans who also own “Repetition and Memory”
Listening for a longer time, I begin to hear inner harmonic layers emerging beneath the sustained sound — almost as if another music forms inside the spectrum itself. It is fascinating how the ear slowly shifts from perceiving a chord to perceiving the internal life of the sound. Thank you for this rare experience of listening. Alexandre