Showing posts with label flower drawings. Show all posts
Showing posts with label flower drawings. Show all posts

Sunday, May 04, 2025

"Flowers - Flora in Contemporary Art & Culture" at the Saatchi Gallery - extended!

I'm never very sure why some art society selection panels have been somewhat sniffy about paintings of flowers. I've certainly encountered that view in the past (I think they ranked just above paintings of cats!). I guess this was associated with times when those running societies were somewhat sniffy about the participation of women...

However, anybody doubting the popularity of flowers should have been in Chelsea recently. Absolutely HORDES of people have been to see Flowers - Flora in Contemporary Art and Culture at the Saatchi Gallery (£20 entry or £12 if you like me are pensioner age)

Due to the popularity of this exhibition, pre-booking is strongly advised. Visitors are welcome to turn-up on the day, but may be turned away once the capacity for each ticket session is reached.

I've been meaning to go and see it but wanted to avoid the hordes at the beginning and weekends and holidays - and then forgot that it was supposed to finish on 5th May! 

So I scooted along yesterday morning before the hordes wanting to see it before it "finishes" on Bank Holiday Monday.

EXCEPT it's so VERY popular that the exhibition is reopening from 30th May to 31st August 2025.

We’ve been overwhelmed by the incredible response to Flowers. Visitor numbers and feedback have been exceptional, with audiences of all ages sharing feelings of joy, nostalgia, and wonder. We look forward to welcoming new audiences over the summer period, and those returning to enjoy the exhibition again.”
Which means it's on at the same time as the RHS Botanical Art & Photography Show for those who really like flower paintings!


About the Exhibition

It's very much a mulit-media exhibition - examining all the different ways flowers have been presented in visual culture and artefacts.
FLOWERS spans a wide array of media – including large-scale installations, fine art, photography, sculpture, fashion, film, literature, and music – offering a multifaceted exploration of the flower as artistic and cultural muse. The exhibition invites visitors of all ages to engage, learn and reflect on their personal response to flowers, with each section of the exhibition revealing different instance of flora through art, culture and our everyday lives.

It's a very curious exhibition. I'd love to be certain about the business model behind it - which I think I've worked out. Let's just say there's an element of commercial which is not very evident unless you observe and take a little time to think - and read a few exhibit labels.

Anyway, back to the exhibition.

I was glad I went. I saw some things I've never ever seen before. 

Thursday, October 01, 2020

British Museum: Prints and Drawings - The Solution!

Yesterday I highlighted the problems with accessing the Virtual Gallery of the Prints and Drawings held in the permanent collection of the British Museum. 

Today I have the solution

This page provides the Collection search guide.  It's one of those guides which provides a lot of information for what is obviously a really big database of images.

Collection online has been completely redeveloped, making it much easier to find what you want. It allows access to almost four and a half million objects in more than two million records. The search is more intuitive and now offers suggestions as you type.

Unfortunately they completely forgot to provide a shorthand version - with links to certain specific types of drawings e.g Drawings or Prints.

It's almost as if 

  • they've started off from the perspective of the complexity of their collection 
  • rather than 
    • EITHER asking people what they'd like to search for 
    • OR done any analysis of the search queries that bring people to the British Museum website. 
The latter is the one which keeps me on my toes in terms of me tweaking my own website to make the most popular also the most accessible!

Progressive refinement of key words and filters

However if you start at this Explore the Collection Page and put "drawings" in the search window you get this

  • So I then selected "objects" as the filter type on the left - and got a lot of objects some of which clearly were NOT drawings. So I think I'd suggest a quality audit of the referencing by key words!
  • Rather annoyingly the feedback link for the individual pages which are not relevant to drawing goes to the "Sorry we can't find that page" - suggesting somebody needs to do a major audit for DEAD LINKS!!
Started again and selected 'paper' as the filter (under 'drawings') and got a rather better set of results

I then added 'flower' as an additional key word - and got an even better set of results - given I'm particularly interested in flower / botanical drawings and came across some 17th century Persian Drawings of flowers that I've never ever seen before.

Artists


I next tried Artists. The trick appears to be quite precise as to what you want to see - and remember/spell names correctly!

Do NOT use quotation marks around the artist's name - I got a nil result when I tried it with one artist.

So for example, if you add in an artist's name e.g. Thomas Rowlandson - you get a great collection of Rowlandson's pen and ink and wash drawings

I added in Ehret and got nine examples of works by or associated with one of my heroes Georg Ehret ( see About Georg Ehret on my website) 

The quality of the digital image is FABULOUS!  But you must first click on the image, go to its individual page and use the plus (+) icons to go in as far as the image will let you.

Drawn by Georg Dionysius Ehret
collection of the British Museum

I tried again and inserted Joseph Mallord William Turner and got some fabulous watercolour sketches and painting which allow you to see his technique up close. 

crop of a Topographic representation of: River Washburn by Joseph William Mallord Turner collection of the British Museum

The total number of items related to Turner exceeds 3,000!  That's because - although he painted a LOT - the search query also picked up people like John Sell Cotman who created drawings "after Turner".

Conclusion


There is undoubtedly lots of wonderful things to see in database of digitized images of items in the Permanent Collection of the British Museum.

For me it'll be one of those links I'll bookmark and try out while having a cup of tea - to see what comes up under different queries and keywords. I think there are lots of surprises.....

Here's a few more I found 
One interesting fact - there are 12,595 objects related to Painting - but only 200 of these are oil paintings - one of which is a very fine paintings of Portrait of: Dr Robert Anderson (Director of the BM) by Tom Phillips RA who has 55 items in the British Museum.

It's the ultimate surfing sinkhole!

Monday, September 12, 2016

13th Florum Exhibition in Sevenoaks - a review of art and artists

Artwork at Florum 2016
I thoroughly enjoyed myself at the Private View for the 2016 Florum Exhibition on Friday evening. It's not just that it has some wonderful artwork and the best ever hors d'oeuvres (better than professional caterers!) - but the people who organise and the artists who participate in it are such nice people!

It's therefore very sad to report there will be no Florum in 2017. This is prompted by
  • the fact that the Society of Botanical Artists are having to change their exhibition to the autumn next year and that means two exhibitions involving too many of the same people too close together.
  • the decision by a number of members who have been running it for many years to take a break. Will they be back or will there be a new set of members on the organising committee? - we'll just have to wait and see!
So we shall wait and see whether Florum resurrects itself and if so whether it's at a new time of year and maybe at a new venue with new organisers. Who knows?

I sincerely hope it will keep going as it's a delightful exhibition and sales are always very brisk!


Review of Florum 2016

The aim of the exhibition is to create artwork inspired by plant life. It's emphatically not a "strictly botanical" exhibition but that makes it all the more appealing to a wider range of visitors.

The exhibition maintains its normal high standards although I think I might be right in saying there are fewer works being exhibited this year. I do know that last year there was a surge in larger works creating a complete nightmare for those designing the hanging - and this might be the reason.

The strength of the exhibition lies in its diversity
  • one room places an emphasis on botanical art in all its different forms 
  • the other room includes artwork which is stimulated by flowers, gardens and the landscape - anything which involves plant life. Work includes diverse media from miniatures to jewellery to fine art prints, textile art and paintings in various media
I'll be putting a slideshow together of the exhibition. However this takes a little time to prepare so below you'll see some of the images from the exhibition. You can see more photos of the artists with their artwork on my Botanical Art and Artists Facebook Page (which you can see irrespective of whether you have a Facebook account - however you can only comment if you are on Facebook).

Exhibition details


Venue: Kent Wildlife Trust Sevenoaks Reserve,
Bradbourne Vale Road, Sevenoaks, Kent TN13 3DH
Dates: 10th - 17th September 2016 (daily)
Times: 10.00 - 5.00

List of exhibiting artists


The exhibition includes a number of new artists. Each artist's name contains a link to their website or a site related to the artist. The list is interspersed with artwork by the artists - and photos of the artists with their artwork!

Friday, February 26, 2016

RHS London Botanical Art Show 2016 - Medal Winners

Below you'll find the names of the people who won medals at the RHS London Botanical Art Show today. 

You can find out more about them and their exhibits in my previous post about RHS Botanical Art 2016 - Selected Artists

Well done to the RHS Organisers for having the list of medal winners available as a pdf file on their website by the time I got home!

Best Botanical Painting by Julie Nettleton

Best in Show


  • Best Botanical Art Exhibit: TillandsiaMariko Aikawa 
  • Best Botanical Painting: Xanthorrhoea resinosa Pers., Grass Three with Antechinus Stuartii, Brown Antechinus – Julie Nettleton

Gold medals


Paintings of Tropical Climate Plants by Sansanee Deekrajang
Four of Roger Reynolds's paintings of "The Tip of the Branch"

Silver-Gilt 

View of the RHS London Botanical Art Show 2016
The new arrangements for the display of the art worked extremely well

Silver

  • Amanda Petty Biblical Boys 
  • Carolyn Jenkins Hydrangeas 
  • Hiroko Jibiki Squash 
  • Janice Peers A Bulb for All Seasons 
  • Jean Webb Close Encounters of the Botanical Kind 
  • Lyn Campbell Trilliums 
  • Maggie Niagassas Strelitzia reginae 
  • Pamela Moodie 5TR Patterns of Growth 
  • Sarah Morrish Twigs & Buds in Winter - from Trees & Shrubs of Ancient Hedgerows Silver 
  • SoYoung Sin Korean Endemic Plants
  • Verene Kutter The Genus Anemone L. in Central Asia 

Bronze 

  • Margaret Bickerton 39 Stretton Farm Road Church Stretton Shropshire SY6 6DX Artichokes
I'll be writing more about the exhibitors and the lessons I learned after I visit again tomorrow.

My new website about Botanical Art and Artists has more information about:

Sunday, February 21, 2016

Nelumbo nucifera plus reflections on drawing and painting

I'm busy finishing artwork and matting and framing drawings for hand-in submission to the annual exhibition of the Society of Botanical Artists tomorrow.

I ended up doing something completely different to what I had planned. I've done two drawings of the sacred lotus (Nelumbo nucifera) neither of which are the conventional view of the lotus

Nelumbo nucifera bud and bloom by Katherine Tyrrell
coloured pencils on Fabriano Artistico
I've been a big fan of the Lotus ever since my first close encounter with a pool of them at the Cafe Lotus in Ubud in Bali.

Two blog posts below which discuss drawings and paintings made on that particular trip
When people ask me about my current style of drawing, I often joke with them about how it took me nearly 10 years (as in YEARS!) to learn how to scribble.

Tuesday, February 02, 2016

RHS Botanical Art 2016 - Selected Artists

Thirty five botanical artists have been selected by the RHS Picture Committee to exhibit at the dedicated RHS Botanical Art Show 2016 in the Lindley Hall in the City of Westminster on 26-27 February 2016. This is the largest number of botanical artists in one RHS Botanical Art show during the time I've been visiting.

Below you can find
  • A list of the artists exhibiting in 2016 organised by the country of origin and/or where they live
  • The subject matter for their exhibit is also listed. Some of them sound absolutely fascinating.
  • I've added comments about the individual based on what I know about them or what I can glean from their website or other related sites.  These are intended to give you an idea about what sort of things people exhibiting botanical art with the RHS might get up to when not preparing for this exhibition. I hope budding botanical artists might find this information useful!  (TIP: when planning to exhibit make sure you have a website and that it's up to date!)
This was the RHS Botanical Art Show in 2015 - this year the stands have been changed.

Selected Artists


I recognise quite a few names and have indicated those who I know who have already been awarded an RHS  Gold Medal. I'm also including photos of those individuals I've previously met at Botanical Art Show when winning a gold medal!

It's going to be a great show - and I predict a stiff competition! Looks like we might have a lot of orchids to look at.

Australia

  • Julie Nettleton: ‘Xanthorrhoea sp., Grass Trees’. Xanthorrhoea is a genus of majestic Australian native plants which can grow for hundreds of years.  I'm particularly looking forward to meeting Julie. She's a hugely talented artist and her amazing painting of Banksias was the 'exhibition image' for the 14th International Art Exhibition of Botanical Art and Illustration at the Hunt Institute of Botanical Documentation.  A slice through this drawing is the banner image for her website. I'm guessing, based on her website, that her exhibit will be related to her current project - and it looks as if the paintings will be spectacular!
Currently I am working on a major project to produce a monograph of significant Australian native plants growing in the North Head Sanctuary, Manly. The site is one of Australia’s last remaining pockets of bushland known as Eastern Suburbs Banksia Scrub. Here a rich diversity of native heathland plants grow on ancient, nutrient poor aeolian sands. It is classified as an endangered ecological community so the recording and celebration of what survives is important.
  • Sandra Sanger GM (2010, 2013): ‘Orchids: Paphiopedilum and Australian Natives’. I met Sandra - who is based in Melbourne - when she won Gold in 2013. Sandra was also Highly Commended by the judges of the 2014 Margaret Flockton Award.  I know older artists will be interested in the fact that Sandra only started doing botanical art after she retired!

Hong Kong (China) 

  • Mark Isaac-Williams: ‘The Invasive Chinese Banyan Tree’. From a seedling to a 500 year old house tree, Ficus microcarpa is relentless.  He exhibited at the 17th Annual Filoli Exhibition, USA in 2015

Italy

  • Simonetta Occhipinti: ‘The Citrus Fruits of Medici Family’. A study of the ancient collection of citrus fruits which were first grown in the Medici family's Villa in Castello, near Florence, and in the Giardino di Boboli (Palazzo Pitti) in the centre of Florence, at the end of the sixteenth century. Simonetta does not appear to have awebsite and I couldn't find any information online. However I did find a very interesting website about the Medici Citrus fruit and more about the fruit on this nursery site!
The collection of Medici citruses has survived to the present day, despite the many events that took place through the centuries, and is preserved in Florence, in the garden of the Villa Medicea di Castello and the Boboli Gardens. This collection is of particular botanical and historical interest and consists of about a thousand potted plants, large and small, old and young, but in all cases extremely valuable, as they are all descendents of the Medici cultivars.
  • Lidia Vanzetti GM (Italy): ‘Grapes of the Piedmont’ I had the pleasure of meeting Lidia in 2011 when she won a Gold Medal. She also exhibited at the 13th International Exhibition of Botanical Art & Illustration at the Hunt.

Sunday, December 20, 2015

Call for Entries: Society of Botanical Artists' Annual Exhibition 2016

The process, fees and timescales have changed for the call for entries for the 2016 Annual Exhibition of the Society of Botanical Artists

These are explained below. However the key changes to note are:

  • non-members can submit digital entries this year
  • the fees charged have changed and are now much simpler
  • the timescale has changed - non-members wanting to use the new digital entry process need to note that digital submission closes on 15th January.
  • physical entry via the normal Receiving Day on 22nd February is still available to non-members if digital entry is not possible
The Annual Exhibition will be in the Aldersgate Room of Central Hall Westminster, Storey’s Gate, London SW1H 9NH between 15th and 23rd April 2016. There are a number of prizes (I got an Hon.Mention last year on one of them!) plus eligible works can be considered for a Certificate of Botanical Merit which is usually assessed by a botanist.

The theme of the exhibition is 'Shape, Pattern, Structure' all important aspects of the diversity of growth habit and the range of shapes and colours in plants and flowers

The lovely artwork for the exhibition flyer is A Passion for Peonies by Billy Showell
What follows is my overview and digest of the terms and conditions of entry for the 2016 exhibition. You can the digital entry form and more information on this page on the website.

Please note that any errors of interpretation are mine and that all those submitting to the exhibition should rely on the formal SBA paperwork not line!

Eligible artwork


Who can enter?

There are no constraints on age or where you live with respect to who can enter. Every year, the exhibition includes artwork from international artists.

Application for membership via exhibition: There are special conditions for those wanting to apply for membership or associate membership and details of these conditions can be found on the second page of the Terms and Conditions leaflet.
To become an Associate member, an artist must establish a record of accepted work showing a consistent standard: the minimum period required to establish this record is two years which means that the artist must have submitted five works and had ALL five works accepted for two consecutive years: that is ten out of ten works accepted in total over two successive years. 

International Artists

One of the members of the SBA offers a service such that unframed pictures may be sent which can be framed in the UK (see terms and conditions page 4 for further details)

The Society will not take responsibility for payment of any importation charges or duties.

Artists who are not normally resident and taxable in the UK can submit work but will need to register for VAT if the work sells at the exhibition.

For those unfamiliar with the process this is my blog post about VAT for non-UK artists and UK exhibition organisers

What can you enter


All work entered must be for sale - so don't enter anything which you want to hang on to for another exhibition!  You won't get any physical work back until 25 April irrespective of whether or not it is selected for the exhibition.

All work must be completely original and produced by the person who signs the submission form.  Any copies of any work of any other artist, either living or dead, could result in prosecution.

Eligible artwork is as follows
  • 2D Works: paintings, drawings or miniature work. Acceptable media includes: watercolour, pencil, coloured pencil, pastel, oil, gouache, mixed media, 
  • 3d Works: sculpture, , glass engraving, ceramics, jewellery, carving, metal-work, etc etc. 
  • Media excluded: No photography or digital work will be considered for the time being. 
  • Style: works can reflect habitat and environment as well as adopting the more conventional style of traditional botanical illustration and plant portraiture, 
  • Size: The size of the subject matter may be life-size, reduced or enlarged. However the maximum size of work is 48" on the longest length of the exterior frame size
  • Maximum number of works: You can enter up to five works but only four works by non-members will be hung
The expectation is that all work will be presented in a professional manner. The detailed requirements can be found in the terms and conditions in the section on Presentation and labelling of work.

How to enter

To enter you need to submit the work, the entry schedule and a fee.  


Financials

The SBA had have had - until this year - a very complex system of fees - for entry and hanging with variations in what was charged depending on the size of the entry and what was accepted for exhibition. It must have been a nightmare to administer!

This year the fee is uniform for all entries and covers both submission and hanging fee

Minimum Price and what it applies to

Last year the SBA introduced a minimum price for artwork above a certain size.  This continues this year. I assume the objective is to eliminate medium/large works with low prices - which are inappropriate in a London exhibition.


  • If a hanging work measures more than 15" on its longest framed dimension the minimum price must be at least £350
  • The minimum price of £350 does not apply to hanging work measuring less than 15" on the longest length of the frame, or to miniatures, 3D-work or etchings. 

Price including VAT
  • If an artist is personally registered for VAT, then the VAT due on the selling price of the works should be included in the catalogue price.

Fees

Fees are based on the size of the longest length of exterior dimensions
  • A non-refundable digital pre-submission fee is £15 per work, payable on line on submission. 
  • No other fees will be charged

Commission

Commission is charged as follows:
  • 42 per cent on ALL work related to the exhibition i.e. 
    • on the catalogue price on sales at the exhibition 
    • OR resulting in any way from the exhibition ie. copyright, commissions for work, licenses, prints and reproductions of any kind
  • 10 per cent on work resulting at any time from enquiries to, or recommendations by, the Society, or commissioned through the Society. (i.e. unrelated to the exhibition)
  • all works sold are subject to 42% commission
  • any work commissioned as a result of the exhibition is subject to a 42% commission

Payments for sold work

  • payments for sold work will be made within two months of the end of the exhibition

Digital submission

This year, the SBA are inviting non-members to use a digital submission process. I understand that the process will be mandatory from 2016 for both members and non-members so it's an excellent idea to give it a go this year - and to note the difference the process makes to the dates and timeline for entries

The other main advantages for those using this process are that: IF your artwork is NOT accepted then you save money due to no need to frame and no need to spend money on transport or a courier to submit work on the Receiving Day

There are major benefits for international artists if they can get the work to the UK and framed for the Receiving Day after the results of the digital pre-selection are announced on 31 January.

The process is:
What type and size of image?

Actual image - the form requires
  • Actual image size: size requested in the entry is the ACTUAL size of the real image (i.e. height x width in cms)
  • Actual media: this must be stated eg watercolour
Digital image to be submitted:
  • Digital format: supplied in jpeg format (NOT tif, gif or psd)
  • Digital image size: longest length - 1000 pixels wide (NOTE: Smaller images will be rejected)
  • Digital file size: no limit stated
  • Digital resolution: no more than 150 dpi 
  • Digital file name: must identify artist and artwork

Receiving day

SBA 2016 Receiving Day is 22 February 2016. Entries will be booked in at the Aldersgate Room at Westminster Central Hall. The SBA provides a list of couriers you can use.

This applies to
  • all work by members 
  • plus all work digitally pre-selected plus any work from non-members 
All works must be presented - unwrapped - with the printed out digital entry form or the paper entry schedule (and £15 fee for those unable to submit digitally)

Couriers bringing multiple works will be allowed to unpack in the Gallery. 

Timeline

Submission and selection

  • 15 December 2015 Digital pre-selection starts 
  • 15 January 2016 Deadline for digital submission (nearly 4 weeks from today)
  • 31 January 2016 Notification of results of digital pre-selection. You then have three weeks to get your work framed and transport or a courier organised
  • 22 February 2016 Receiving Day for pre-selected works from 11am to 4pm 
  • 23 February 2016 Selection of work (at Central Hall Westminster)

Exhibition

  • 14 April 2016 Private View from 11am to 7.00pm 
  • 15 to 23 April 2016 Exhibition open 11am to 5pm including Sundays 
  • 25 April 2016 Collection of unaccepted and unsold work from Aldersgate Room, 10am to 3pm. Artists must bring their own packing.
Note there is only one collection date for both unsold and unaccepted work. Hence the advantage of using the digital selection process if there are other places you'd like to show your work.


Queries


Note that the General conditions of entry provide the name and contact details for Mrs Pamela Henderson, Executive Secretary SBA who looks after a lot of the entry process. Any queries should be addressed to her.

Thursday, November 05, 2015

Fiona Strickland wins The Hort's "Best in Show" Award at 18th Annual International

Last night, at the Awards ceremony for the 18th Annual International Exhibition of the American Society of Botanical Artists and The Horticultural Society of New York, Fiona Strickland was presented with the The Hort’s Best in Show Award.

The award was for her wonderful watercolour painting of Rhododendron 'Horizon Monarch'.

Rhododendron 'Horizon Monarch' by Fiona Strickland
Watercolour 77 x 91 cm
© Fiona Strickland
You can read the story behind the painting on the ASBA website.

I do very much appreciate the trouble that both artists and the ASBA go to, to provide both illustrations and the 'backstory' explanations of the artwork in the show - especially for all those of us who will not be able to see it in person.

Here's a short extract from what Fiona had to say which explains why very many botanical artists will be very keen to see this painting.
I was fascinated by the thought of using the technique of negative painting to paint the ‘white’ hairs on the bud scales (painting the background between the hairs leaving the white paper to describe the hairs). I had painted hairs on other paintings but had used body paint for this and wanted to improve my range of application techniques and experiment with a new approach. The challenge in this instance was to communicate this surface to the viewer whilst conveying the form convincingly, taking account of the changing underlying colour of the bud scales, and the effect of the light on them and on the very fine hairs.
The remainder of this post includes short extracts from just a few of the backstories to illustrate how much information is shared in terms of techniques and different approaches to creating botanical art

Below you can read about:

  • who won the awards
  • the details of the exhibition
  • the selected artists, the plants they portrayed and follow links to their websites if so inclined.

Awards


The is the complete list of awards

  • The Hort’s Best in Show Award: Rhododendron ‘Horizon Monarch’ by Fiona Strickland
  • ASBA Eleanor Wunderlich Award: Dragon Arum Dragon Arum Dracunculus vulgaris by Betsy Rogers-Knox 
  • Helen Gray Garber Award: Turnips. Brassica rapa by Asuka Hishiki 
Turnips. Brassica rapa
© Asuka Hishiki
The back story reveals how Asuka was able to paint from observation and complete her painting!
In the three turnip painting, I ended up using three different turnips to complete just the one on the left, so it is a fusion or mash-up of three different turnips. I started to paint the rainbow leaf, and while finishing it, the rest went bad. So I took a second turnip to finish the turnip root and base stems coming out of it. A third turnip covered the rest. How do I work? I have a kind of photoshop program in my head. I cannot create a new part of a turnip from scratch, but by referring to existing subjects, it is easy for me to merge and blend the parts in my head
  • Cheap Joe’s Award: Pincushion Protea Leucospermum cordifolium by  Estelle deRidder
  • Susan Frei Nathan Fine Works on Paper, LLC Award: Collections: Abelmoschus, Platanus, Rhexia, Physalis, Hibiscus, Ipomoea, Clematis, Scabiosa, Vitis, Rosa, Hemerocallis, Mimosa, Iris, Smilax, Allium, Aquilegia by Lara Call Gastinger
  • Brooklyn Botanic Garden Award for Print or DrawingIris germanica by Melissa Toberer 
Iris germanica
graphite
© Melissa Toberer
  • Honorable Mentions

Exhibition

Image: © 2005 Alexander Viazmensky | Cortinarius sp. (Mushrooms)
This exhibition is a highly prestigious showcase of contemporary botanical art by leading artists from around the world.

This year it is being held at the 1stdibs gallery on the 10th floor New York Design Center, 200 Lexington Avenue, New York, NY.

The exhibition opened on  November 4th and continues until December 20th 2015.

The Selected Artists

Friday, September 18, 2015

Florum - The Slideshow

I promised more visuals of the Florum 2015 Exhibition which closes tomorrow at 5pm. Here's a slideshow of the exhibition as some incentive to get down there and take a closer look tomorrow!


This is a slideshow of the two parts of the exhibition. I think I've got it all with the exception of the jewellery which I forgot to photograph.  The slideshow works on the basis of walking around the exhibition in both rooms.

You can see who the participating artists are in my previous post Review: Florum 2015.

Florum Exhibition 2015 - the opening view
I was going to write a longer post but this slideshow has taken two days to make off and on (the first time I've tried making a big slideshow using Photoshop Elements 13) and two hours to upload to YouTube - so I'm a tad pooped!

The last day of the exhibition is tomorrow.

Saturday, August 01, 2015

"Flowering Bulbs and Tubers" - Exhibition by the Dutch Society of Botanical Artists

It's always really interesting to see the different approaches - in terms of style and media- used by the botanical artists of another country.  The "Flowering Bulbs and Tubers" exhibition by the Dutch Society of Botanical Artists can be seen in Galleries 2, 3 and 4 at the Shirley Sherwood Gallery in Kew Gardens. It provides an excellent opportunity to view how the Dutch do it - and they do it very well!  The work on display is excellent and the standard of presentation was also very good.

Lots of reds, pinks and purples in this exhibition
If you visit you can also see two other exhibitions before all three close on the 9th August. (Apologies for the late reviews!)

Artwork for Sale


This exhibition has paintings for sale.

I'm not too sure how many artists have realised that the Shirley Sherwood Gallery puts on exhibitions of paintings for sale. The first one I went to was the 'Black and White in Colour' - an exhibition of art for sale by two botanical artists Sue Wickison and Sue J Williams - which I reviewed in 'Black and White in Colour' at Kew Gardens - a review.

I must do a blog post at some point outlining the process for getting accepted for an exhibition and how the process works!

General Observations


The focus of the exhibition is flowering bulbs and tubers - a somewhat predictable choice for the Netherlands. I noted the following as I viewed the exhibition.
  • there were a lot of drawings and paintings which involved roots - and it's clear that some artists consider this as much a design challenge as anything else.
  • I was particularly struck by how much pink and purple - of every hue and tonal range - could be seen in  the exhibition. I wasn't too clear whether this was due to personal choices or reflects the colours which tend to be chosen for cultivation.
Below you will find images and comments - plus the names of the artists whose artwork I liked and links to their websites.

At the end is a note about the Society.

I liked the 'almost' uniformity of the framing used for the exhibition.
It really helped to give it a sense of a coherent identity.
On the right is Fritillaria persica in coloured pencil by Sigrid Frensen
  •  I first met botanical illustrator Esmée Winkel at the RHS Botanical Art Show in 2013 - where she won a Gold Medal and I interviewed her (read my interview with her) . It was great to see her work again and, in particular, I loved the sense of the imperfections of the plant in her watercolour painting of 'Belamcanda chinensis'
  • In the photo at the top you can see Tulipa 'Zomerschoon' by Anita Walsmit Sachs (b. 1948). It demonstrates very fine gradations of colour in the leaves and shows all stages of growth of the tulip in five blooms. Anita has worked at the Nationaal Herbarium of the University of Leiden as chief of the art department since 1998. Her pen and ink drawings have been published in numerous scientific publications and she has received an RHS gold medal.  She was also the perdon who led the formation of the Society.
There's some considerable interest in pencil artwork on the Netherlands
  • Sigrid Frensen (b1972) has a coloured pencil drawing of Fritillaria Persica which demonstrated very fine pencil work and sinewy growth from bloom to bud. This is Sigrid's blog post about it called 'I love big bulbs and can not lie' where you can see a bigger version of the drawing. 
  • Ineke Smeets's contribution was two coloured pencil drawings of allium which were extremely well done. They had a very spare and elegant design - you can see one in her website portfolio.
  • Nicolien Bottema-Mac Gillavry (b1941) I can't quite make sense of my notes and wonder if the autocorrect in Evernote has been misbehaving again (it's not very tuned to Latin!) Anyway I've got a note of a work which I have down as "Chrysalis cava". My notes also say it's an attractive botanical illustration in watercolour minus the size indicators on dissections.
  • There were also some some great graphite drawings by Els Hazenberg-Meertens (b1942) - see below
Left and Centre - graphite drawings by Els Hazenberg
'Chasms (?) the floribunda' and 'Hippeastrum hybrid'
Note: the Vereniging van Botanisch Kunstenaars Nederland is the Dutch name for the Dutch Society of Botanical Artists. It was founded in 2006 and celebrates its 10th anniversary next year. The Society was formed from a small group of enthusiastic professional and non-professional artists from across the Netherlands with a keen interest in botanical drawing - 44 in total. Most had attended Anita Walsmit Sach's courses at the Botanical Garden at Leiden. Since then they have progressed and developed, and many initiatives have been undertaken to achieve their aims: 
  • To provide information about botanical art and to bring it to the attention of as wide a public as possible
  • To bring together botanical artists, illustrators and anyone interested in botanical art.
  • To improve the quality of botanical art in the Netherlands
The group now numbers 170, Members have the opportunity to attend courses by  reputable botanical art tutors from other countries - notably the UK. Past visiting tutors have included Valery Oxley (2009), Anne Marie Evans (2010 & 2012), Elaine Searle (2011), Jenny Phillips (2013 Australia), and Helen Allen (2014).

Friday, April 24, 2015

25th anniversary exhibition of the Shirley Sherwood Collection

An exhibition to celebrate the anniversary of a collection seems to me to be an excellent idea - but I hadn't seen one before this week.

Work by Botanical Artists in the Collection of Dr Shirley Sherwood OBE
(Left) Brian Poole - Cardoon (Cynara cardunculus), Copper etching with watercolour
(Centre) Rosie Sanders - 'Greater Knapweed' watercolour
(Right) Phansakdi Chakkaphak- Caribbean Jewels Sapphire Blue (Scilla peruviana) - watercolour

Jonathan Cooper, Park Walk Gallery
(just off the Fulham Road)
A new exhibition opened this week at Jonathan Cooper, Park Walk Gallery in Chelsea.

It comprises Work from Botanical Artists in the Collection of Dr Shirley Sherwood OBE - and it celebrates 25 years since she began her collection.

She now has some 905 paintings and drawings by over 240 contemporary artists from 30 countries around the world.  That, as I think you will agree, is some collection!

What makes it very special is that much of it is work by contemporary botanical artists. Indeed Dr Sherwood has made a major contribution to the revival of interest in botanical art - not to mention a developing an art gallery dedicated to botanical art in collaboration with Kew Gardens.

She is, in short, a true patron of botanical art. To have your work chosen for her collection is very much seen as an accolade.

This however is not a display of her artworks in her collection - such as one might see at Kew. This is a selling exhibition.

You can view the e-catalogue or download catalogue.

The Artists


The artists chosen demonstrate the range of work in the collection and the artists who assembled in the gallery on Tuesday evening came from all over the world.

Tuesday, April 21, 2015

Review: 30th Annual Exhibition of the Society of Botanical Artists

Entrance to the Annual Exhibition of the Society of Botanical Artists

The Society of Botanical Artists is relatively young compared to those national art societies which started life in the 19th century. However this youngster is in robust health and currently going from strength to strength.

As it reaches its 30th Annual Exhibition it seems an appropriate time to take stock of the progress made promoting botanical art and in displaying botanical artwork at its annual exhibition.

30th Annual Exhibition - In Pursuit of Plants


The theme of this year's show is In Pursuit of Plants. You can see it in the Aldersgate Room, in the basement of Central Hall Westminster until Sunday 26th April 2015. The exhibition is open every day between 11am and 5pm and admission is free.

This is a short video of the opening address by Sandra Armitage, the President of the SBA about this year's exhibition and the preparation for next year.



The topic for next year's exhibition is "Shape Pattern and Structure" which will be 15-24 April 2016.

Highlights of the exhibition


I think the thing most worth commenting on is the improvement in the standard of the student work.  The work of students in their final year of the Distance Learning Diploma Course is, as always, exhibited in a corner of the exhibition. (The students graduated from their course last Friday evening). Every year I've seen some stunning work alongside work which appeared very promising.


This year I was amazed to find a display which is truly outstanding in the breadth and depth of the quality of the work.  So much so, that much of the student work on display was an awful lot better than rather a lot of the artwork I used to see in the early days when I first started visiting this exhibition each year. (I started coming in 2006 and you can now find links to all my past blog posts about the SBA exhibition on the Botanical Art and Artists page of this blog.)

Thursday, September 11, 2014

Video and review: Florum 2014 Exhibition

Part of the Florum exhibition 2014 at Sevenoaks Wildlife Reserve.
Two of my macro drawings of succulents are second from the right on the front panel
all artwork: copyright - the artists
I initially had some difficulties with my video of the Florum exhibition - hence why it wasn't posted earlier this week. However they seem to have resolved. Maybe I just didn't quite understand how long it took for the video to get off imovie and into my folders?

Anyway - here's the video - and you can see the exhibition yourself until 5pm on Saturday 13th September.



It was only when I watched it all the way through that I realised I had inadvertently omitted one very good wall my mistake!  The fact that it included two of my drawings which I really liked was also pretty galling! However you can see the wall at the bottom front of my photo (above) and these are my drawings below.

(top) Echeveria Laui
(bottom) Tesselation #2 (Agave victoriae)

copyright Katherine Tyrrell
The exhibition is in a fairly small space but the ladies who do the hanging do a great job of getting all the artwork hung in a very short space of time prior to the Private View!

One of the panels in the centre of the room
My only comment this year is I think the far wall when you walk in could have done with a stronger motif to attract the eye - and I couldn't understand why two really excellent and colourful works by Susan Christopher Coulson and Billy Showell were located at the bottom of the stairs. These are both artists who are very popular and have a strong following - and their artwork needs to be easy to see!

IMO, this are the set of six paintings we should have seen on the far wall as we entered the exhibition. 
The artists who stood out for me this year were as follows.

I loved Rachel Munn's very small drawing of a Shoo Fly Plant - which I've not got a proper photograph of - but it showed me what can be done when using pen and ink and coloured pencil and crystallised for me what I've had in my head for a long time with respect to where I should take my pen and ink and coloured pencil sketches in terms of fine art drawings. Thanks to Rachel for providing the insight as to what is possible.

The show includes artwork which was awarded a Gold Medal by the Royal Horticultural Society at the RHS Show in Malvern earlier this year. These are:
I loved both both sets which scream 'quality' at you as you view them.

Two of the apples drawn by Julia Craig-McFeely
The RHS Gold Medal winning artists
Three of Gael Sellwood's hydrangea paintings
Plus two more of Julia's apples.
One of the aspects of the show is embraces all forms of artmaking related to plant life - the jewellery for example is very popular with purchasers. A second room includes all the 'not botanical' artwork of flowers and plant life. This year Barbara Valentine's oil paintings on panels were particularly 'standout' - and were joined by a great oil painting of Autumn Bounty by Linda Wallis

four oil paintings by Barbara Valentine and one by Linda Wallis

Finally it was sad to see the late Wendy Cranston's small square paintings in gouache for one last time. Wendy sadly died in July.

Paintings of fruit and vegetables (gouache) by the late Wendy Cranston

If you have the opportunity to go and see the show I highly recommend you do so. All the visitors on Sunday when I was stewarding had been most impressed with what they saw.



Sunday, August 31, 2014

Florum Exhibition 2014

Below is a list of the artists who have been invited to show their artwork at the Florum exhibition which opens on Saturday after a private view next Friday night. I'm one of them!

Florum website - my drawing is top right

The aims of the exhibition are:


Florum invites some of the UK's most celebrated botanical artists, as well as artists working in freestyle, mixed media, printmaking and jewellery.

List of Invited Artists



Each artist's name contains a link to their website or a site related to the artist