InKavyaVrikshabyKavyaVriksha·Oct 11M S Subbulakshmi — Treasure of InstrumentsThe pivotal and the surprising — her precious tanpuras, the greatest teacher the Veena and also the mridangam and piano
SAYALI SAVARKAR·Oct 4Indian classical music and its popularityFive six months ago sometime in March, I was listening to yashvant bua joshi’s poorvi raag on a TV in an Ayurvedic clinic. It’s avaibale on…
Aashay Gune·Sep 17The Unknown between the two musical worldsOn Sunday, during my brief stay in Delhi, I had my share of firsts: both rather late, but immensely cherished.
Dipesh Karmarkar, PhD·Sep 6Bhairavi at the Banks of YamunāThere are moments when music does not merely reach the ears; it seems to open a door somewhere within.A response icon1A response icon1
InMusicalitybyRamya Badrinath·Aug 30Different colors of the same scaleExploring how subtle changes in context rewrite the emotional landscape of a song.A response icon1A response icon1
Aliyah Banerjee·Aug 19Of Two Longings in KhamajAs Pandit Ji begins with a soft encouragement to sing the antara, the first glimpse of longing is immediately visible before the eyes; what…
Vikash Kundu·Aug 10Rhythmic Geometry: Comparing Western Time Signatures with Indian Tala CyclesLast week, we explored the delicate world of pitch, learning how to map microtonal Shrutis and acoustic cents between the fixed intervals…
Rishi Pai·Jul 22The Raman Effect and the Physics of the TablaIf you ask anyone who took a chemistry class about C.V. Raman, you’ll get one answer. He’s the guy who figured out that light changes color…
