- 2 days ago
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00:00The End
00:02The End
00:04The End
00:06The End
00:08The End
00:10The End
00:16The End
00:18Hey, Monch, I'm going to...
00:20...Postoy to the smile on ourself.
00:22Just...
00:29Here.
00:31Ready?
00:34Like a gun.
00:36Nice. I've organized everything there.
00:38I don't know what you're looking for.
00:43Thank you for everything.
00:46Let's pray.
00:48It's great that you're here.
00:49Tell me what the text is about Dr. Vujošević.
00:52The attorney tells me that you're telling him to write that text.
00:55Did you say that?
00:57What are you saying?
00:59I'll do this again.
01:02Okay, Aleksa. Can I ask you to stop you?
01:04I'm scared.
01:05I'm scared.
01:06Let's slow down.
01:07You know how to grow up.
01:08Of course not.
01:10Let's do it.
01:11Let's do it.
01:12I'll explain everything to you.
01:13But...
01:14Let's go to the hospital.
01:16There's no need to push you in front of everyone.
01:19Stop. Stop.
01:20Stop.
01:21Let's go to the hospital.
01:22It looks like it's an important day.
01:26Get out of this place!
01:27Hello, I'm not!
01:31Chef, where are we?
01:32Why are you at home?
01:33Where are you from?
01:34Where are you?
01:35I heard it from you.
01:36To sleep or to work?
01:37Not to be in the hospital.
01:38Not to be in hospital.
01:39No, not to be in hospital, not to be in hospital.
01:40Let's do it. I'm just going to break my eyes.
01:43I'm going to watch Gabriela for the whole day.
01:45The time is terrible.
01:48Let's go.
01:49Let's go.
01:50How do I go?
01:52Let's go.
01:53Let's go.
01:54Let's go.
01:55Let's go.
01:56Let's go.
01:57Let's go.
01:58Let's go.
01:59Let's go.
02:00Let's go.
02:02Let's go.
02:03What did I go?
02:06What did I go?
02:09Everything is unilogical.
02:11Absolutely everything.
02:12It's very confusing.
02:14I'm trying to solve this dilemma.
02:19I don't know.
02:21I don't know.
02:22I don't know.
02:24It's the end of the day.
02:26When we came to these insiders information,
02:29I had to use them.
02:31I had to react quickly.
02:33I know that everything is sensationalistic,
02:35but I would have to know what is the newspaper newspaper.
02:38Say hi, please.
02:39How is the newspaper newspaper newspaper?
02:40You are going to look like a lot of...
02:42What's your name, Alex?
02:43No, no.
02:45Everything OK.
02:47Please.
02:48Let's go.
02:49Ok.
02:50I do OK.
02:51Okay, wait.
02:52What do you think you mean?
02:55I don't know what to think about.
02:57I mean, you know what? I think that maybe he has a child, you know?
03:04And that his child is another one of them. I don't know what else.
03:09What do you think, Ana?
03:11Let me go. You can see how I work, brother. I can pay for you. Let me go.
03:15Okay, okay. Just see. Can I tell you how I speak online?
03:20Stay.
03:21Do you hear me? You are online or not?
03:23Stay when I tell you how to pay for you.
03:26No, no, no. Let me go. Let me go. Let me go. Let me go. Let me go.
03:30Let me go. Let me go. What do you like? What do you like?
03:35Hi.
03:37Wait, Alexa. How are you?
03:39I'm fine.
03:42You are not.
03:43Don't talk to me.
03:45Let me tell you.
03:47I tell you, don't talk to me.
03:49See, whatever happened, you have to tell me.
03:52No, I don't have to tell me.
03:54I'm going to tell you. I thought that for the beginning, for the first time, for the first time, we will go back.
04:01It's a little bit of work. I know, for the third time, for the third time, and then later.
04:06I'm going to form a poster. Do you understand?
04:08I don't know, do you understand?
04:10No, I don't know. I'm sorry.
04:11I knew you were right.
04:12How are you?
04:14From me.
04:16What do you do after?
04:18I don't know, it depends.
04:20From what?
04:22From you.
04:24From me.
04:26From me.
04:28Where?
04:32Listen, I have to ask something special.
04:36Wait, wait, wait.
04:38Is it something you need?
04:40I don't need anything.
04:42Is it something you need?
04:44Tell me.
04:46If it's okay.
04:48If something you need, call me.
04:50On the basis of what we know, Vujošević is the key man.
04:54Gabriela has gone to him and with Alex, right?
04:58Yes, yes, yes.
05:00So, he is the only one who knows what happened in that ordination.
05:04Why and why?
05:06I know everything.
05:08I understand.
05:10No, it's not.
05:12What can't be?
05:14I'm just trying to do it.
05:16Really, Maxime, who is it?
05:18Let me tell you what you have to say.
05:20Really, who is it?
05:22Thank you, Maxime.
05:28They say that life is written in novels, they say that life is not fair.
05:50They say that life is not fair, they say that life is not fair, they say that life is not fair, you have one life, only one chance.
06:20That life is not fair and you have one life, you have one life, only one chance.
09:15Do you think it's only because of the pain or this is a weird thing?
09:21What do you think?
09:23I want to be honest.
09:25I don't have a clue.
09:28Okay, I'm a little because of the pain, and a little because of something else.
09:34I mean, everything is a little.
09:36Come on.
09:37What are you doing now?
09:40I'm not sure.
09:45What are you doing now?
09:47Why are you doing this?
09:49No, I'm not thinking about it.
09:53Everything is new.
09:55I don't know what I'm thinking.
09:58Why are you doing this?
10:00What are you doing now?
10:02You're so nice when you're doing this.
10:05Yes.
10:06Yes, you're doing it.
10:08I don't know what you're doing.
10:10How are you doing now?
10:11How are you doing now?
10:12I'm doing it.
10:14I'm sorry.
10:15I'm sorry.
10:16I'm sorry.
10:17What are you doing now?
10:18What are you doing now?
10:19Yes.
10:20in the future, in the next one.
10:22We'll pay for it.
10:23We'll pay for it.
10:24Yes, we'll pay for it.
10:27Let's go.
10:28Let's go.
10:43Okay, let's understand.
10:45There is no mafia, no unhelpful,
10:48no unhelpful.
10:49You'll do everything on Finjaka.
10:50You'll go there.
10:51You'll call Vujošević to come with you.
10:55If he doesn't,
10:56you'll give him a little bit of advice.
10:59You'll give him a little bit of advice.
11:00You'll be able to get him here.
11:03Right?
11:04Right, right.
11:06Just to understand,
11:07no one can't let you go there.
11:11Is it right?
11:12We'll understand.
11:13No one can let you go there.
11:18Hey,
11:19how is Aleksan better than that?
11:20No one can be.
11:21No one can do anything else,
11:22no one can do anything else.
11:23You don't know what is going on before.
11:24But,
11:25you can't admit it because it's not a mistake.
11:27No one can do anything else.
11:28It can be a mistake.
11:29You can do anything else.
11:30Hey, how is Alex better, huh?
11:43I didn't know that something was wrong.
11:46It was wrong.
11:48Now I'm in trouble, I'm going to get a job.
11:50He was in the office, he was nervous, and he closed down there and didn't go out.
11:55What did you call me? Where did you go?
11:58I have a job, I can only sit here in the house.
12:01How is the job?
12:03I'm not talking about provocation.
12:05I don't know exactly how is provocation, but it's just a question about how is the job.
12:10Good.
12:12Olga, I can't talk about that.
12:15I can tell you what I'm talking about with Alex.
12:17Look, if you're standing there, go and talk to him and see if he's better.
12:23If he's not, he's free to go back to your agency and play Sherlock Holmes.
12:29Olga!
12:30Hello!
12:32Oh, my God!
12:34Oh, my God!
12:35What about this woman?
12:36I don't know what I'm talking about.
12:53Who is it?
12:54I'm not a woman.
13:01I'm not a woman.
13:03I'll be talking about it.
13:04What about it?
13:05And I told you.
13:06A woman?
13:07I was in the house to get nervous and get out of here.
13:12Yes, I'm not a little more. I can just hear myself and I don't have to explain everything that I have.
13:19Yes, yes. Or you can tell us what happened to share with us and talk about it.
13:25No, I don't want to go into detail with you.
13:27No, you don't have to go into detail. What do you have to do?
13:31Well, in general, everything is great. It's the best of the best.
13:38Yes, I don't understand. I understand.
13:41Did you think you had a plan to do it?
13:44I have to think about what I will do.
13:47That's why I need to leave me at peace.
13:50Yes, we will have everything in order.
13:53Mother, you don't have anything to do it.
13:56If you can, I ask you to talk with him.
13:59I want to do it. I want to do it.
14:01I think that we can do it all together.
14:05You don't have to play with close phones,
14:07and you say to me, and you say to me,
14:09and she says to me, and she understands me.
14:11You know how it is.
14:13What is with you, in the evening?
14:29Yes, I was a little...
14:33Yes, something can help you.
14:40Nebojša is gone to therapy and now I fell.
14:47What do you feel?
14:50I...Prazninu...I tugu.
14:57Ne znam, stvarno teško i meni da priznam te emocije ali posl ovog vremena izgleda da se tu nešto desilo.
15:06Dobro je što to priznaješ sebi. I dalo si nas lutiti iz onog što si pričala.
15:13I? Šta ja sad da radim s ti? Nemoš neki savet? Šta da radim s ti emocije?
15:18I think that the best question is what you wanted to do.
15:25I don't know. I don't know.
15:29What is your heart saying?
15:33I don't know, I don't know.
15:36Okay.
15:37Okay.
15:38This pause will be good for you to be able to get your own emotions.
15:42I really hope that I'm afraid of this.
15:44Okay.
15:45Good, talk is free. The conversation helps.
15:48It helps. Thank you all.
15:51I don't know why, that's my job.
15:53Now, I'm not in the process.
15:55Thank God, I can't listen to me today.
16:00I hope I'm not between them.
16:03Of course not. This is a friendly conversation.
16:09And we'll be right back.
16:15.
16:24This will be okay, an generation.
16:26Here.
16:27Here we go.
16:28Here.
16:28Here.
16:29Here.
16:30Here.
16:32Here.
16:33What's your motion for?
16:35I don't listen to my mother, regardless of all, I don't care about it.
16:39You really don't have to worry about yourself.
16:43I had a little rough day, but it's not a tragic thing.
16:49That's it.
16:50I'm going to become a little bit like myself.
16:53I'm going to be a little bit like that.
16:56I understand.
16:58I'll do it.
17:00I'll do it.
17:01I'll do it.
17:03I'm going to take care of myself.
17:06Okay.
17:08I'm sorry if I'm a little angry.
17:12But I'm just nervous.
17:14I'm not okay.
17:16Okay.
17:17All right.
17:18Let's go to sleep.
17:20Okay.
17:21Bye.
17:22Bye.
17:23Bye.
17:33Bye.
17:34Bye.
17:36Bye.
17:38Bye.
17:39Bye.
17:40Bye.
17:41Love you.
17:42Bye.
17:43Bye.
17:44Bye.
17:45One of the above the waves.
17:46I'm a professional.
17:47I'm a professional.
17:48Was a physiologist.
17:49That's it.
17:50I'm a professional.
17:51That's it.
17:52I can't stop it.
17:53And pain is out.
17:54And damage.
17:55That's the pain from being a Christian.
17:56I'm a football team.
17:57I'm a footballer expert.
17:59Sports part is definitely a bit of a experience.
18:03I think you're right.
18:05Okay, I have confidence in you.
18:07I'm going to go.
18:09This is it.
18:11See, Mido, today, everyone is alive.
18:13Everyone lives in the house.
18:15Old and young, but not one.
18:17It's not one, brother.
18:19He's a dog.
18:21He's a dog.
18:23And then, the brother.
18:25Mido,
18:27I have to admit to you,
18:29but I don't care about you.
18:31What do you care about?
18:33I don't know.
18:35I don't have any people today.
18:37Everyone has the right to go.
18:39What am I going to go?
18:41If I go to go,
18:43I'm going to go.
18:45You're a professional.
18:47I don't care about you.
18:49I don't care about you.
18:51You're a child.
18:53I don't care about you.
18:55You're a child.
18:57I'm not sure about you.
18:59I'm not sure about you.
19:01I'm right.
19:02I'm doing this.
19:03First of all, you're our golden koka.
19:06That's it.
19:07You're a king.
19:08You're a king.
19:09You sleep a night.
19:11You wake up, you're up, you're out, you're out, you're out, you're open, you're all over.
19:15I don't know, I don't know.
19:17You're right, you're right.
19:19I would like to go now.
19:21You're right, you're sleeping,
19:23you're going to get you in the morning,
19:25because you don't want to stay in the morning.
19:27You don't want to stay in the morning.
19:29You're right.
19:31I'm out,
19:33and you...
19:35Let's go.
19:37Let's go.
19:45Let's go.
19:49Excuse me.
19:53You killed him.
19:55What a hell.
19:57I'm emotional.
19:59I'm fascinated.
20:01Vukasina, how are you doing?
20:03Okay, nothing.
20:05Really nothing?
20:07Do you think you're interested in me?
20:11I'm sure you're interested in me.
20:13What's the name of your name?
20:15I'm sorry.
20:17I read a little book.
20:19It's the book that's what makes you any of mine.
20:21I've read a book that's most famous story.
20:23She's not the book.
20:25I'm confused.
20:27I'm worried about her.
20:29I was a fan of her.
20:31I was feeling very troubled.
20:33I read everything...
20:35I watched something...
20:37I'd like to read...
20:39Who would like me.
20:40All the time I think of who she is.
20:44She is. She is. She is. She is. She is. She is. She is. She is. She is. She is. She is.
20:52I got a fantastic conclusion. I could be a good detective.
21:00Why not? I am. Why not? Why not?
21:04Why not? I am genius. I understand. I am a genius.
21:08I am very well found. And then I thought, why would I not work at a detective agency?
21:14Could I work at you at your detective agency? Why not?
21:17I would work at my detective agency. Really?
21:21Why not? Why not? Why not?
21:23Why not? Why not? Why not?
21:24Why not? Why not? Why not?
21:26Why not?
21:28You are a little. There are thousands of jobs in which you could do well.
21:32And now you have found me here.
21:35Why not? Why not? Why not? Why not? Why not?
21:41to see what is going on in the society,
21:43I don't want to be a good detective.
21:45What's wrong with me? I'm going to be a good detective.
21:47I'm going to be like this freezer.
21:49When you have this freezer,
21:51you will be Matahari
21:55at my agency, Lutko.
21:57Look at the freezer,
21:59it's not a problem.
22:01I have the best freezer in the city,
22:03just so that I don't need to be fired.
22:05I don't need to be fired.
22:07I don't need to be fired.
22:09It can be, with a blue color.
22:13That's nothing.
22:15Let's get out of here.
22:17Give me the freezer.
22:19Give me the freezer.
22:21Let's see what this is.
22:23This is what I'm going to do.
22:25I put it here.
22:27I'm going to do it like this.
22:29Good luck. I don't need to paint anything.
22:31That's right.
22:33This is absolutely fantastic.
22:35...
22:54I think we'll do it.
22:56What would you leave, Women?
22:58God, no, I'm kidding!
22:59I don't miss Horvat's plan. He didn't even think about it until the end of my life.
23:05Let me ask you to stop.
23:07I'm just thinking about racional.
23:11Here he is.
23:16What are you doing, man? What are you doing?
23:19What are you doing, brother?
23:21What will you do if someone sees you?
23:23Ah, you think...
23:26One, two, one, two, one, sorry.
23:28What are you doing?
23:29Maksim, I'm sure that the most stupid thing is going to meet you.
23:32You're crazy.
23:33Okay, don't give me your memory, please.
23:35I'll tell you, man.
23:37We'll do something like Horvat said.
23:40We'll come as if we have a request.
23:42Good day, good day.
23:43We're here and we'll talk about it.
23:45And we'll just leave the plan.
23:47You're just waiting for me, waiting for me.
23:49You're waiting for me.
23:52Come on.
23:54Come on.
23:55Come on.
23:56Come on.
23:57Come on.
23:58Come on.
23:59Come on.
24:00Come on.
24:01We're all right.
24:02Come on.
24:03Hey, Alex, I didn't know that you were here.
24:29Yes, we can organize the meeting with the audience.
24:33What happened?
24:35Is this the text?
24:37I don't know if I'm going to repeat it twice,
24:41but I'm going to repeat it twice.
24:43Can I tell you what you're doing?
24:46I'm going to define the organization and the work plan.
24:51Okay.
24:53Do you want to organize it today?
24:56Yes, as soon as possible.
25:00Yes, as soon as possible.
25:04Okay.
25:06Paradaj, Sidney, uzmej.
25:19Hoću.
25:19Lep je, vidite.
25:21Znaš, sam neki lep na pijaci.
25:22E, sad, slušaj.
25:24Hoće, bajka, da ti pita.
25:25E?
25:26Ne znam kako voliš ova jaja.
25:28To su ti ta malo mekše pečena, ova malo tvrđa, a ova obrnuta.
25:32Šta voliš da znam da ti tako spremam?
25:35Majko, sveći ti pričam šta volim.
25:37Jel hoćeš reći?
25:38I šta ne volim šta volim, hoćeš sveći.
25:40Srce moje, moj kulinarski kućni kritičar.
25:44Jego, Majko.
25:45Oj si.
25:46Znaš šta, pričao sam sa Midom malo oko ovoga posla za masažu.
25:49Mogu ti reći da se ozbiljno zagrio i da je rekao da će se ozbiljno posveti i masaži.
25:55Slušaj, da, sto može da spasi, Majko da ne doprinese budžetu,
25:59da krenemo kod naš naje posao s cateringom, Bog da nas vidi više.
26:02Čeo ti bre, sad će Mido da zarađuje bukvalno sa svojih deset prstil.
26:09Vjeruj mi, doće, Majko nama fali i malo do cateringa, mi imamo tri kiljade,
26:13fale nam još dvije jer imamo pet i da krenemo u biznis.
26:16Sine, da ti kažem naši, to što Mido sada, to se bavi to masažom i tako dalje,
26:23pa to stvarno sad ne možemo da očekujemo od njega da će od toga da zgrne neke pare,
26:28bre, pa to bi baš bilo neozbiljno goran.
26:31Čovjek poču da se malo bavi masažom.
26:34On ima tolike dugove u životu, neka se fokusira na to, neka vrati te pare.
26:40Ajde onda da nam stvane malo svima.
26:42Što, Majko, što misliš?
26:44On je vrhunski masor, jesi vića loga ko je pomogao tebi za sekund.
26:48Samo da tako je tvrc, opa.
26:50Jeste kad je slušajno pogodio neku taču.
26:52Ajde, molim te. I čorava koka ubode neko zrne.
26:56Majko imamo si cijaj koji mene ne laža nikad.
26:58Da će u ovoj kući konačno da dođe u bolji dani.
27:02Razumiješ?
27:05Gorane, jedi, molim te i ne pričaj mi više o Midu i njegove masaži.
27:10Veruj ti ime.
27:26Znaš, možda bi trebalo i da odspavaš neku noć.
27:31Volim.
27:32Pa vidim, nova devojka te baš i crpljuje, a?
27:36Šta ti je šta pričaš da?
27:38Lazare, podočenice su ti do poda.
27:41Ajde, molim te prestani da zabadaš nos u moj privatni život.
27:46I šta pričaš?
27:48Uopšte nemam podočnjike.
27:50Dobar, možda malo.
27:53Pa ja ti kažem.
27:54I samo da znaš da ću ja da zabadam nos dokle god mi se prohete.
27:58Matea, ti očigledno imaš baš dosta slobodnog vremena čim analiziraš moj život.
28:04Pa, i to će se vrlo brzo promeniti.
28:09Šta to znači?
28:10Ajde, stanite. Molim vas, stanite.
28:36Šta se je dešao ovde?
28:38Pa, gospodine Vojjoševiću, nemojte da se sekirate ništa, sve će biti u najboljem redu.
28:45Ma, ma gdje me vodite, recite mi, samo mi recite gdje me vodite.
28:48Druže, druže, nemoj ništa da se sekiraš, sve je okej.
28:51Eto, ja sam vama rekao, ja sam vama rekao da nemam nikakav snimak.
28:55Gospodine Vojjoševiću, slušajte, sve će biti u najboljem redu ako budete sarađivali.
29:00Evo, ja vam lično garantujem da mne neće faliti ni dlačica na sa glavim.
29:03Evo, kad on garantuje to da se dopustuje.
29:05Ma ja hoću da sarađujem, evo, stvarno hoću da sarađujem, samo da mi obećate da će se me pustiti kad se ovo zavrži.
29:10A to sad ne zavisi baš od nas Vojice.
29:12A od koga zavisi?
29:12Od jednog finog gospodina.
29:14A ko je taj gospodine?
29:15E sad, mnogo pitate stvarno gospodine Vojjoševiću.
29:18Samo napred, Maksime, pomozi čovjeku da otvore.
29:20Da uđe u pola, da se lepo smesti.
29:22Biće ugodna u ovdje.
29:23Samo lagano.
29:24Samo lagano.
29:25Samo zolite gospodine Vojjoševiću.
29:44Napred.
30:03Dobar dan.
30:05Dobar dan.
30:06Dobar dan.
30:07Sedite, izvolite.
30:08Hvala.
30:10Kako napreduje istraga?
30:12Uspeli smo da dođemo do videosnimaka.
30:17Dobro.
30:18I želimo nešto da vam pokažem.
30:28Ko je ovde ko?
30:31Jeste ovo vi ili vaš brat?
30:34Pa ja sam, ja sam ovaj što ulazi u zgradu.
30:39Ovaj?
30:39Pa, tako je.
30:41Pa da, pa to je logično.
30:42Nisam ovaj što je otišao sa mojom ženom.
30:46Vi zaboravljate da je moj brat oteo moju ženu.
30:50U redu, ali mi moramo da razaznamo ko je ko.
30:53Da, ali je logično.
30:55Ali znate što nije logično?
30:57Šta?
30:59Kako ste ušli u njihov stan?
31:02To nije njihov stan.
31:04To je moj stan.
31:05Da, da, ali vam je oduzet.
31:09I zašto se vracite tamo?
31:11I odakle vam ključevi?
31:13Kako sam imao ključeve od svog stana.
31:15Da, otišao sam zato što su mi bile potrebne neke stvari.
31:22Nisam lopo.
31:24Samo sam uzeo ono što je moje.
31:25Mateo, šta znači da ti ziva?
31:44Pa, mogu da ti kažem, ali pod jednim uslovom.
31:50Govori.
31:51Ne smaš nikome ni reč da kažeš.
31:54Peće vam, evo, čutim kao zalive.
32:00Kontaktirali su me iz jednog drugog magazina.
32:04Stvarno?
32:05Da.
32:06Bave se modom i imaju bolje uslove, bolju platu, bolju ponudu.
32:12I vidjeli su moje fotografije iz posljednjeg broja i hoću da me angažuju za profesionalno fotograficanje.
32:18Ozbit.
32:19Da.
32:19Ti kao model.
32:21Da, da.
32:21Mislim, nije to još ništa sigurno, zato mi je važno da ovo ostane među nama i možda nije ni trebalo da ti kažem.
32:29Ne brini, baš mi drago što si mi rekla.
32:32Mislim, sve je to nekako novo za mene, znaš, i baš je zabavno.
32:35Nekako modeling, kamere, reflektori.
32:38Samo, ne znam, nije to baš deo mojeg karaktera.
32:42Znaš, ja sam od uvek željela da budem novinar.
32:45Onako, ozbiljan, posvećen novinar.
32:48Razumaš?
32:49Znači, premišljaš se.
32:52Pa, da.
32:53Da, da.
32:53Zato i ne znam još uvek šta da mislim o svemu tome.
32:58Samo mi je važno da nikome ništa ne pominješ, Lazare.
33:00Matea, ne brini ništa.
33:02U redu.
33:02Štrajite vas zvajdu.
33:06Sastanak je već počeo i mi vas čekamo u sali.
33:08Ajde.
33:11Ne sam znala za sastan.
33:29Izvinite.
33:31Sedite.
33:31Izvinite što kasnimo.
33:33Sedite, sedite, urebitno.
33:39Od kad me nije bilo, Dona je pretrpela ozbiljne udarcija.
33:43I uopšte mi se ne sviđa pravac u kojom ide naša redakcija.
33:47Neki tekstovi, ton uređivanja, način komunikacije sa čitaocima izgleda kao da smo izgubili kompas.
33:55Zato vas sada pitan, da li ste spremni za promenu?
34:01Zato što nisam znao da me snimate i nisam mislio da radim nešto bit.
34:20A je li vi imate zabranu prilazka?
34:23Imam.
34:24Pa.
34:25Ali ja nisam prekršio zabranu prilazka.
34:28Oni nisu bili u stan.
34:30Dobro, da li ste se plašili da bi oni mogli da se vrate i zateknulo sam?
34:36Ne.
34:37Zašto?
34:38Zato što znam gdje su otišli i koliko im je vremena potrebno da se vrate.
34:43I znao sam da imam dovoljno vremena da uradim to što mi je potrebno.
34:49Šta ste vradili?
34:50Uzeo sam nešto.
34:51A šta ste to uzeli ako nije dajno?
35:06Ma nemojte, ma nemojte, ma nemojte, nemojte, nemojte.
35:10Ajde, ajde, ajde, ajde, ajde.
35:12Uđi, sedi me, da te čuti me više.
35:14Ajde, sedi, sedi.
35:15Ajde, sedi.
35:16Sedi, sedi.
35:17A zašto ste me doveli ovde?
35:19Zašto ste me ne doveli ovde?
35:20Na kafu i čaj.
35:22I malo kolačića.
35:24Kaj si tipičkice, doktor?
35:26Pa nisam video veću kukavicu u tebe.
35:28Znači, nemoj da ni dođeš.
35:36Dobar dan, doktor.
35:38Kaži dobar dan.
35:41Dobar dan.
35:43Ako, bit ću dobar.
35:47Čote!
35:47Ej, šta ste se udrvenili kod dve drvene Marije?
35:50Ajmo, ajmo, vadite četke, metle, kofe, ribajte hemijom.
35:56Zovite dezinfektore, dezinsektore.
36:00Probaju, napravite, probaju.
36:02Neka duva kroz ovu kuk.
36:04Ej, pa povedi nekog da ti pravi društvo.
36:17Neću.
36:18Radit će da budem sam.
36:20Ajde, bre, nemoj da si pasivno-agresivno.
36:22Ajde, povedi Aleksu i kakav ima što ne raspoložile ovih dana.
36:25Pa neću.
36:26Neću.
36:29Ej, dom, šta ovo je ovo što.
36:30Šta ovo je.
36:32Hvala ti za Lenko, šta ovo je.
36:33Zato bi možda i bilo dobro da porazgovarate kod dva muška harcar, zumeš?
36:47Onda treba da budemo kreativni.
36:49Kreativni, žive.
36:50Ali ljubav, ja se se malo napilo.
36:52Pa ne pijemo da budemo trezni.
36:55Kaj će štaje sa to?
36:56Dobro.
36:56Ne pijemo to.
36:59Evo ovako.
37:00Slušaj.
37:00Ja ću sada da donesem novogodišnju odluku.
37:03Donesim.
37:04Jesi spreman mi?
37:05Jesi.
37:06Evo ga.
37:09Rodit ću ti trojicu sinova.
37:12Četvoricu.
37:22Slušaj, još nije kasno da se predomitiš.
37:26Ajde, zovemo te još jednom, a onda, bogo mi, prelazimo na direktan kontakt.
37:31Kakav direktan kontakt?
37:32Dolazimo ti na vrata, samo da znaš.
37:35E, gala, samo probaj.
37:36Zvijenom ovak, ne mogu da ne primetim da celo večer buljiš u moju ženu.
38:00Li biš neki problem?
38:01I?
38:02Šta?
38:03Šta će radiš?
38:03Iznenađenje.
38:19U sunce ti ukaza se Marijana.
38:22Marijana, otkud ti tolika deca? Kad si ih rodila?
38:28Mama nas je ostavila kod nje. Ona imala neki hitan posao, a će nam reći posao.
38:33Duša je besprtna. On je za mene uvek tu. Moj dobri Guda.
38:50Dobro, Žiko, i meni će pa čete uzeti dušu, ako ja ne dođem kući sa Gudom, pa reci mi samo pošto je da ga ja sad uzmem pa da krenem.
38:59Pa kako kaže pesma? Što ti ljubiš mlada momka, matura devojka?
39:14Ne večeri gubi dana, več gledaj kome da se da.
39:33Pa, pa, pa.
39:34I moja mi veli rana, ne večeri gubi dana, ne večeri gubi dana, ne več gledaj kome da te da.
39:43Pa, pa, pa, pa, pa, pa, pa. Muzika, stop!
39:49Pa, pa, pa.