itch.io

I really enjoyed the Death Counter demo. The core idea is simple, but the connection between the cameraman in the past and the Death Counter watching in 1963 makes it feel genuinely original.

The sound design was the highlight for me. Playing at night with headphones, hearing entities running behind walls and across the stairs was genuinely frightening. I also loved how filming ghosts can transfer them through the recording and into the Death Counter’s office.

The tutorial could explain the difference between looking away from a ghost and physically escaping it a little more clearly, but once I understood the mechanic, it became much more interesting.

I wrote a full review here:

https://indiegameinsight.com/death-counter-demo-review/

Congratulations on the demo. I’m curious to see how you expand the idea in the complete game!

Hi T3rrifk!

I played The Dreadthorn Therapist demo and really enjoyed its unusual concept and noir visual style. I even called the mysterious enforcer on a client because his strange smile made me believe he was corrupted—only to discover that he was completely innocent! That mistake became one of the most memorable moments of my playthrough.

I’ve published a full demo review on IndieGameInsight, covering the therapy system, moral choices, office management, atmosphere and the game’s strong potential for YouTube and streaming.

You can read it here:[review here]

Congratulations on such a distinctive idea. I’m looking forward to seeing how the clients, choices and consequences develop in the full game!

reviews The Game

Great work  I’m curious to see where the Stories to Tell series goes next!

Hi! I just finished playing Sea Oblivion and wanted to say thanks for creating it.

I really enjoyed the feeling of isolation on the boat and the PS1-inspired visuals. The atmosphere was unique, even though I personally felt the gameplay was a bit too scripted and I would have loved more dynamic events and stronger sound design.

I wrote a detailed review on my indie horror website in case you're interested in some constructive feedback:

review sea oblivion

Thanks again, and good luck with your future projects!

I just finished Sewer Call and really enjoyed it.

What impressed me the most was the atmosphere. The sound design, environmental design, and level layout constantly build psychological tension without relying only on jump scares.

I especially liked how the game immediately throws players into the experience instead of making them wait through a long introduction.

My only small criticism is that some sewer sections become visually repetitive, but overall this is one of the most interesting PS1-style indie horror games I've played recently.

I wrote a detailed review and design analysis here:

https://indiegameinsight.com/sewer-call-review/

Thanks for creating such a memorable horror experience. Looking forward to your next project!

Hi! I just finished playing the demo and really enjoyed it.

The Cambodian night market is such a refreshing setting for a psychological horror game. Instead of relying on familiar horror locations, the game builds tension through atmosphere and everyday routines, which makes the experience feel unique.

I also appreciated the environmental audio and the slow-paced storytelling. They create a constant sense of unease without depending on endless jump scares.

I did encounter a few minor issues during my playthrough, such as the lack of a save system, some interactions that could be a little clearer, and a small visual bug where a bowl remained floating in the air. Nothing that ruined the experience, but I think polishing these aspects would make the final release even stronger. Similar feedback has also been mentioned by other players in the comments, and it's great to see that you're already taking suggestions into account.

I also wrote a full review of the demo on my indie horror magazine:

https://indiegameinsight.com/missing-the-late-night-rice-noodle-review/

Thank you for creating such an original project, and I wish you the best with development. I'll definitely keep an eye on the full release. Good luck! 😊

I just finished playing the demo and wanted to say congratulations on creating such an intriguing atmosphere. The visual presentation and especially the sound design are excellent—they really kept me curious about what was behind each elevator door.

Personally, I found the gameplay a little too passive since I was hoping for more interaction and exploration. However, I understand that's the experience you wanted to create, and I respect that artistic choice.

If the full game expands on this concept with more player interaction while keeping the same atmosphere and audio quality, I think it has the potential to become a very memorable psychological horror experience.

Thank you for sharing the demo, and I wish you the best with the full release!

I also published a full review on IndieGameInsight if you'd like to read my thoughts
Review

Hi! I’ve just finished playing Sonambula and published a full review on IndieGameInsight.

Here’s the link: https://indiegameinsight.com/sonnambula-review

I really appreciated the PSX-style atmosphere and the psychological horror approach — short but memorable.  

Thanks for sharing your work!

Hi RetroBeastGames,

I just wanted to let you know that I’ve published a full review of Dead Man’s Lane on IndieGameInsight. It was a fascinating experience to explore, and I really enjoyed diving into the atmosphere and design choices behind the game.

Here’s the link to the review: https://indiegameinsight.com/dead-mans-lane-review

Thank you for creating such an intriguing project — I always appreciate developers who experiment with mood, tension, and world‑building the way you did here.

If you ever release updates or future projects, feel free to reach out. I’d be happy to cover them as well.

Best regards, Marko

Hi! I’ve just published a deep analysis review of The Attic 18 on IndieGameInsight.

I found the concept really interesting — especially how you turned anomaly detection into a core survival mechanic. The atmosphere and sound design work really well together, and the overall experience feels very polished.

Here’s the review if you’d like to check it out: 👉 [link]

I’ll be covering more indie horror games like this on the site, so I’ll definitely keep an eye on your future projects.

Sorry, I didn’t receive your email. Feel free to send your message directly here, marko@indiegameinsight.com

Hi! Sure — you can contact me through the IGI website using the contact form.  

If for any reason it doesn’t work, feel free to reply here and we can continue the conversation.

IGI

Hi everyone! I’m working on an editorial project focused on reviews and analysis of indie horror games, especially PS1‑style titles: IndieGameInsight.

The site is growing, and I’m looking for collaborators who are passionate about indie horror and interested in:

• writing reviews,
• analyzing short or experimental games,
• suggesting interesting titles,
• contributing to the growth of the project.

No professional experience is required — just passion, consistency, and a genuine interest in exploring the genre.

If anyone is interested, I’d be happy to talk!

Hi! I recently reviewed THE SOUL on IndieGameInsight, focusing on its PS1-style horror design and atmosphere.

There’s a lot of potential in the concept, especially in how tension is built through sound and limited visibility.

Full review here: THE SOUL Review

Curious to see how the project evolves!

Hi! I recently played Psycho Inn and really enjoyed the atmosphere and pacing — especially how you handled tension in such a short experience.

I wrote a detailed review focusing on both the gameplay and technical design. If you're interested, you can read it here: 

Psycho Inn Review – Short PS1-Style Horror With Strong Pacing & Tension

Thanks for the experience, and I’m curious to see how the project evolves in the future!

Hey Jordan,

I just published a full review of Don't Stop in Red Wood on IndieGameInsight — a magazine focused on indie horror design analysis.

I covered the atmosphere, the CopperCube engine limitations, the cutscene-driven structure, and the multi-perspective narrative. Gave it a 7/10.

https://indiegameinsight.com/dont-stop-in-red-wood-review/

Really enjoyed the PSX aesthetic and the tension you built in the forest sections. Hope it brings some visibility to the game.

Marko

IndieGameInsight.com

Hi! I recently published a deep design analysis and review of Overburden on my indie game magazine, IndieGameInsight.

I really appreciated the experimental bunker atmosphere and the mechanical gameplay loop built around the drill system.

If you're interested, you can read the full article here: https://indiegameinsight.com/overburden-review/

Thanks for making such an interesting experimental project!

Hello,

I purchased on itch.io  and paid $8, but the game will not start on my PC. When I try to launch it,

What I have already tried:

• Running the executable as administrator
• Launching from the itch app
• Disabling antivirus/Windows Defender temporarily
• Reinstalling the game
• Updating GPU drivers

Thank you for your help,

We recently published a review of the eyes in silenceon IndieGameInsight. 

If anyone is curious about the design and gameplay structure, you can read the full review here:

the eyes in silence review

We recently published a review of the Martha’s Dolls 2 Demo on IndieGameInsight.
The PS1-style atmosphere and unsettling tone really stood out.

If anyone is curious about the design and gameplay structure, you can read the full review here:

Martha’s Dolls 2 Demo on IndieGameInsight.