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00:00Hello! Welcome to the Dr. Phil Show.
00:05All this week, I'm going to be taking my show on the road making house calls.
00:09Because my creator, Oprah Winfrey, needs my studio for her housekeeper's birthday party.
00:19So come on, let's make some house calls.
00:30Howdy! I'm here with Peg and Lowell Shula, a young couple married just three months.
00:40Now Lowell says he has some problems with the marriage.
00:44Tell us all about those problems, Lowell, and they better be doozies,
00:48because from where I'm sitting, you should be on your knees thanking the good Lord
00:52for giving a schlub like you such a hot piece of ass.
00:56Well, Dr. P, I love her. But I mean, Peg ain't a great cook.
01:01I like the house clean, and she leaves her clothes everywhere.
01:05She's late for everything. And here's the topper. She snores.
01:12Lowell, are you crazy rich?
01:16No.
01:17Are you a licensed hypnotist?
01:20I don't think so.
01:22Do you have a freakishly large penis?
01:26I absolutely not.
01:28No, he doesn't.
01:30Then I'm stumped.
01:31So Peg, I'm gonna go to you.
01:33Why is a beautiful girl like you married to such a dingleberry?
01:37Well, Dr. Phil, I grew up in Rooster Creek, Texas.
01:41And one day, Lowell drives by on his fancy Toyota Cressida,
01:46and all his big city talk just swept me off my feet.
01:51Would you mind doing me a favor, Peg?
01:52Just cover your ears and turn your back for a second?
01:55Sure, sounds like fun.
02:04This marks the beginning of your authentic life, Lowell.
02:08You found the Holy Grail, my friend.
02:10A beautiful, stupid woman.
02:13And here's what you need to do.
02:15You need to lock her up inside this house and never let anybody see her.
02:18You've already severely jeopardized your marriage just by letting me see her.
02:23Let's face it.
02:24I've got the money and the freakishly large penis to take her away from me.
02:28Hello, girl friends. It's me, Oprah Winfrey. I'm here in Bumluck, Oklahoma, with my lazy-ass fiancee, Stedman.
02:37And we're going to surprise my creation, Dr. Phil, by disguising ourselves as a dopey American couple, much like the dumbasses that are on his show.
02:46Don't smile into camera.
02:47Don't smile into camera. Just get in. Come on.
02:48I'm here in Bumluck, Oklahoma, with Ofra and Bedman.
02:53Engaged 12 years, Ofra says Bedman is a loser who cannot commit. Tell us all about it, Ofra.
03:01Well, Dumbass is a loser who cannot commit.
03:06I'm here in Bumluck, Oklahoma, with Ofra and Bedman.
03:12Engaged 12 years, Ofra says Bedman is a loser who cannot commit.
03:19Tell us all about it, Ofra.
03:21Well, Dr. Phil, all Bedman does is sit on the toilet talking on his cell phone to other lazy brothers sitting on their toilets.
03:35Now, he promised to marry me, but I ain't seen no ring.
03:40This is amazing. This is almost the exact opposite of a couple I met with recently.
03:45I mean, the last time I saw anything as fat and ugly and disgusting as you was when I accidentally caught a peep at Oprah in her dressing room putting on her dirty old lady underwear.
03:58No, it's not even so good.
03:59No, it's not.
04:00Stop!
04:01Oprah.
04:03Outside.
04:05Absolutely, Oprah.
04:10Help me.
04:11Help me, you silent, quasi-black man.
04:15Now, Oprah.
04:17Oprah, please, don't drive through another car wash!
04:20It's Mad TV with Frank Caliendo, Mo Collins, Bobby Lee, Michael McDonald, Aries Spears,
04:50Stephanie Weir, Deborah Wilson, featuring Christina Moore, and Paul Vogt, guests are in Calis Vaughan and The Volksman.
05:09Hi everybody, Anna Nicole Smith, and I have been invited to Mad TV's, as Mad TV's special
05:22VIP guest for their commercial countdown party.
05:25And I could only bring one person, I had to choose between Kimmy, Daniel, and Howard, and
05:31I decided that this Howard, this is my Howard, he's my plus one.
05:39He's so excited he's going to blow his top.
05:41Woo!
05:44There's going to be a red carpet, I'm going to have my picture taken, everybody go, Anna,
05:47Anna, Anna, Anna.
05:48I hope Billy Ray Cyrus is there, that's who I'd like, because I like people with three
05:54names, like me, Anna Nicole Smith, Melissa Joan Hart, Sarah Michelle Gillard, you can have
06:00a three, threesome, all three people with three names having threesome, because I am honey.
06:10All right, we're here, we're here honey.
06:12You ready?
06:14Let's do this.
06:15Woo!
06:17Look at this.
06:18Oh, I'm not covering my private.
06:22How come nobody's getting my door?
06:26We'll be right back with more Anna Nicole and Mad TV's commercial parody countdown.
06:32You've been taken hostage by an armed gun.
06:34Yes, that was awful.
06:35I thought I was going to die.
06:37You know what I mean?
06:40You know what I mean?
06:42Wow.
06:50Hello, hello, Anna Nicole Smith, I am Ryan Bud Blasucci, I'm the assistant manager here
06:55at the store.
06:55Three names, Ryan Bud Blasucci.
06:57You can call me Bud.
06:59Okay, I'll call you Bud.
07:01I'm so glad that I could host this party, the other assistant managers don't know I'm doing
07:05this, so if you hear me blow a whistle, just go ahead and pretend to shop, all right?
07:12And then I'll blow the whistle two more times, and we can go back to the party.
07:17We love to celebrate, and we're celebrating commercials.
07:19I'm glad they're doing this at a grocery store, because the number one place to meet men, grocery
07:25store.
07:25Number two, funeral parlor.
07:27Number three, gay bar.
07:29I'm out of carpet.
07:33I'm out of carpet.
07:33I'm out of carpet.
07:37Coming.
07:38Oh, a horse.
07:40A horsey.
07:41This feels good.
07:46Oh, good.
07:47Oh, good.
07:48And now, Bad To Be's number three commercial.
07:51Oh, more quarters.
07:53I was almost there.
07:55Wow, there we go.
07:57Number three.
07:59How many times has this happened to you?
08:05What the f***?
08:16Okay, but how many times has this happened to you?
08:20Mommy, I want to bake a cake in my...
08:24Easy bake oven.
08:27Easy bake oven.
08:32And what?
08:38Mommy, I want to bake a cake, but the light bulb's blown out.
08:43Damn it.
08:44I guess I have to change the damn bulb.
08:54Damn it!
08:56Isn't there a child's toy oven
09:07that doesn't utilize dangerous light bulbs
09:09as its method of confection?
09:11Well, now you can.
09:13Who the hell are you?
09:15And I've got a new toy so modern and fun
09:19that you'll say goodbye to that old-fashioned toy oven.
09:26Now, little Daisy, are you ready
09:43for your new toy oven of the future?
09:49Shut up!
09:52Are you ready for your new toy oven of the future?
09:55Sure, mister.
09:56That sounds great.
10:17Who's cleaning that up?
10:19That's the spirit.
10:20It's Spishax.
10:21Hey, it's ovens for kids.
10:23No more light bulbs?
10:24No more light bulbs.
10:26No more light bulbs?
10:27No more light bulbs.
10:28No more light bulbs?
10:29No!
10:31And just like Mommy's oven,
10:33because it runs on clean, burning gas.
10:35And it's a fact.
10:37Food cooked with natural gas
10:39doesn't have that strange electric taste.
10:42I want to try!
10:43I want to try!
10:44Hold on there, little Daisy.
10:46Yeah, hold on.
10:46First, we have to hook it up.
10:48Well, that sounds easy enough.
10:49As easy as one, two, three.
10:52One, unhook your kitchen oven from the gas line.
10:55Two, refasten the gas line to your
11:11Hey, it's ovens for kids oven gas nozzle.
11:21I don't think it fits very well.
11:24You're insane.
11:26And step three, just light the pilot light with Spishax.
11:29It's my first matches included in the box.
11:34Daisy, don't you want to learn how to light a pilot light?
11:37Okay.
11:37Here, let me help.
11:44Hey, it's ovens for kids.
11:53You can't dance this.
11:55You just cannot miss.
11:58Hey, it's ovens for kids.
12:03Come on!
12:05Set.
12:10Hopefully it is based around some very tragic stories.
12:15Brain wreck, uh, mining disaster.
12:17We hope you enjoy it.
12:18Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
12:23Ladies and gentlemen, Dira, the psychic lady.
12:29What a significant and pig farmer.
12:33Simon, I feel so strong.
12:36Do you have a pig?
12:39No.
12:39I don't have a pig.
12:40No, you don't.
12:41No, I don't think so.
12:42Are you a cop?
12:45No, but some people think I am.
12:46Some people do.
12:47Yes, they certainly do.
12:51I see you're an artist or a carpenter.
12:54You work with your hands.
12:57What do you do, sweetie?
13:01I'm a health inspector.
13:02A health inspector.
13:04You inspect things.
13:05Uh-huh.
13:06You do that with your feet.
13:10Lessons to you.
13:11I've got to move on because I'm feeling something strong.
13:15This young lady back here, honey, your grandmother is coming through.
13:20She's coming through to me.
13:26My grandmother is alive.
13:29Yes, I know that.
13:30I'm very aware of that.
13:34And she's coming through to me to tell you she's going to be alive for a long time.
13:41So, quit worrying about it.
13:43Karen, you get so caught up in worrying about your grandmother's dying.
13:48She's not even sick, honey.
13:51I'm feeling really something strong here.
13:54Honey, don't be startled.
13:55Your spirit guide is here.
13:58Now, everybody has a spirit guide, okay?
14:03And that's someone that looks over you and guides you, hence the guide part of it.
14:11And a spirit guide can take any form.
14:14It could be a bird or an Indian or something.
14:18Your spirit guide has taken the form of Carrot Top.
14:25Great, Dad.
14:25Okay.
14:28Okay.
14:29I leave you with this message.
14:34Lives are like Starbucks.
14:36There's always another one around the corner.
14:38That's great.
14:40Bye-bye.
14:48Good celebrities.
14:50Miss Piggy's here.
14:51Hi, Miss Piggy.
14:55Bobby Trendy.
14:56I'm right here.
15:00Bobby Trendy, what are you doing here?
15:02What are you doing here?
15:03I am VIP.
15:05You're not supposed to be here.
15:05I'm a PLC.
15:07I am FBI.
15:08You're not supposed to be here.
15:09I met you.
15:10You are no longer allowed in my world.
15:13There.
15:13Manager.
15:14Manager alert.
15:14Pretend you're shopping.
15:15Pretend you're shopping.
15:16You're not supposed to be in the party.
15:21Anna Nicole Smith, plus one.
15:23Here you go.
15:24Enjoy our celebrity VIP area.
15:27Hello, I'm on the list.
15:34Uh, okay, your name?
15:36Bobby Trendy.
15:39G-R-E-N-D-Y, Trendy.
15:41Yeah, I'm not seeing.
15:42I'm on the list, big guy.
15:43This is the celebrity VIP area.
15:45VIP area.
15:46It's celebrity VIP.
15:47Your name's not around here, see?
15:48It's for celebrity.
15:50Oh, what are you doing here?
15:51Anna, help me.
15:53I'm on your show.
15:54Ha-ha.
15:55Leave the celebrities alone.
16:01I'm so sorry.
16:04You guys voted.
16:05Now let's take a look at MADtv's number two, commercial parody.
16:09Wow, I shop for a new house for Howard.
16:13Howard, you want to live in this studio?
16:15Or townhouse?
16:16Look at that.
16:17Right here is a little lady dancing.
16:19You want to live inside a lady here?
16:21Yeah?
16:22That's sexy.
16:23Capricorn.
16:27Here's a penis.
16:28You want to live in a penis?
16:30Hey, folks.
16:39John Mann here for the quick popcorn popper.
16:42Hey, John.
16:42How's it work?
16:43It's simple, Fred.
16:44You just plug it in.
16:46Open up the butter packet.
16:48You know, when I do the tough act into an actor commercial, all I do is I say, boom, tough act into an actor.
16:53And the guy shows his feet and they people smile.
16:55I mean, they don't have to open up the butter packets.
16:58They don't have to open up the butter packets.
17:23I can't get a f***ing butter packet.
17:25Is this thing going to be shot or what?
17:27This is f***ing bulls***.
17:33John, how's it work?
17:35It's simple, Fred.
17:36You just plug it in.
17:37I can smell my arm slush cooking.
17:45It's like I've been napalmed.
17:47Put the butter on it.
17:47Right there.
17:48Butter.
17:48I can't put some butter on it.
17:50I can't get this butter packet open.
17:52It's ass light.
17:55Finish this godforsaken commercial.
17:57If I find out who's responsible for booking me on this, I'm going to kick him in the ass.
18:02Hey, folks.
18:02John Mann here.
18:04It's a popcorn popper.
18:05It's simple, Fred.
18:06I didn't say it yet.
18:07Go f*** yourself.
18:09Hey, John.
18:10How's it work?
18:11It's simple, Fred.
18:12You just plug it in.
18:14Go ahead.
18:14Do it.
18:21Open up the butter packet.
18:28Pour it in.
18:29And in ten seconds, you've got hot, buttery popcorn for the whole gang.
18:38Hey, let's eat, huh?
18:39Hey, hey.
18:41It smells so good.
18:47It's melting.
18:49What's so funny, guys?
18:50Huh?
18:51Want a face full of hot, buttery popcorn?
18:52Is that what you want?
18:53You start out with the popcorn popper right there, and then there's a butter packet over
19:00here, and then you'll open that up, and you'll use a blowtorch or something like that.
19:03Then it starts to melt.
19:06It starts to pop.
19:06You hear that, and then you know it's done.
19:08You put it in a bowl, and you can give it to one of your friends over here, one of these
19:11eight holes sitting in the corner with a bunch of jackasses, and then what happens is you
19:15can eat it or throw it in the couch.
19:17Sometimes I get it in the couch, and then it sits there, but it doesn't stink or doesn't
19:20rot because, hey, it's just popcorn.
19:24Quit the pop popcorn popper.
19:26John Madden couldn't figure it out, but you certainly can.
19:29Enjoy.
19:33There's nobody at the ticket coming to check in my bags.
19:35The place was emptier than a Bobby Brown concert.
19:38And at the end of the day, when I turn out the light, upon wishing my family sweet dreams
19:49and goodnight, I see what a lucky, lucky woman I am, and I'm grateful to be a part of our
19:56Lord's loving plan.
20:01Very nice.
20:02Very nice.
20:02Now, do you see how poetry, when written from true real-life experiences, can become authentic
20:10and alive?
20:12Oh, yes.
20:12That's exactly what you're saying.
20:14Who would like to go next?
20:16I'd like to go, if it's not too much trouble.
20:19Would you mind terribly holding my candies and mints?
20:22Oh, I'd love to, Mr. Falk.
20:23Bravo!
20:39Mr. Folger, do you need some help getting up?
20:41Too late!
20:42I'm up!
20:42Ah!
20:47Not for the candy.
20:48Let's all give Mr. Folger our support for writing his very first poem at the tender age
20:55of one hundred.
20:59Merci beaucoup!
21:01My poem is entitled, Growing Old.
21:09Hello there, old man in the mirror.
21:12Yes, you staring back from the walls.
21:15Time has not been kind to you.
21:18For example, take a look at your balls.
21:23They hang like a loose, fleshy pendulum.
21:27No longer tight like so long ago.
21:30These days they poke from my pant leg.
21:33How did my balls ever get so low?
21:38They used to be virile and hairy.
21:41A scrotum of world renown.
21:45Now they're like two shriveled raisins.
21:48Made hairless from scraping the ground.
21:54When I go to the gym to do cardio,
21:57which I do every once in a while,
21:59I must wear a jock strap in the shower,
22:02or my nuts will drag on the tile.
22:05I once took a trip to Italy
22:09with my ball sack all bound up with tape
22:12till my invention came undone in a vineyard
22:16and Lucille Ball stomped on my balls like a grape.
22:19So the next time that you're looking downward
22:23and you see a sight that appalls,
22:26don't step on it, don't touch it, don't pick it up,
22:29it's probably just my balls.
22:32Comments?
22:41Mr. Folger, that was disgusting.
22:46But also true.
22:47I mean, look at his seat.
22:49His balls are still there!
22:52No, actually those aren't my balls.
22:54That's a hemorrhoid.
22:55Which reminds me, I've got another poem!
23:08Celebrities, it's time for our raffle
23:10to see who gets this lovely door prize.
23:15Needlepoint, hello, it's lovely.
23:18Alright, here we go, here we go.
23:19I'm not looking, I'm not looking.
23:21Okay, 9, 1, 9, 0, 0, 3!
23:329, 1, 9, 0, 0, 3!
23:37The threes go this way or this way?
23:39That way.
23:40No! I want! I want!
23:42You cheated! You cheated!
23:44I do not cheat!
23:45Give me my paw!
23:46Give me my paw!
23:47Oh!
23:48Lucille Smith?
23:50Yes, but?
23:50Would you like to take
23:51the Celebrity Taste Test Challenge?
23:54Try me.
23:54Okay, you've got two minutes
23:55to tell me what's in each one of these cups.
23:57Go!
23:58Okay.
24:00Oh, Hidden Valley Creamy Ranch Dressing.
24:02Yes.
24:04Old Bushmills.
24:072,000 Fletches.
24:09Yes!
24:10Nobody ever gets that last one.
24:11And now, for MADtv's
24:13number one commercial parody.
24:16Are you excited how...
24:17You're not Howard!
24:19Howard!
24:20Howard!
24:21I lost Howard!
24:23Howard!
24:23Howard!
24:24Howard!
24:25Where did you go?
24:26Howard!
24:27I told you, Doc!
24:29Howard, you lost your hat!
24:32Do you see what happens
24:34whenever you get away from me in the store?
24:36I told you!
24:37Clean up!
24:38And I'll put out!
24:40And I'll 10!
24:42All right.
24:43I'm gonna leave your ass here.
24:44Literally.
24:45Number one!
24:52You feel a little tired lately.
24:54Run down.
24:55You're not yourself.
24:56You're losing interest
24:57in the things you once loved.
24:58Your relationships are suffering.
25:00You feel antisocial.
25:02If this describes your life,
25:03there may be an answer.
25:04There may be help.
25:06A little pill called ecstasy.
25:08Ask your dealer if it's right for you.
25:10Ecstasy works by releasing
25:11a series of chemicals into your system.
25:12Endorphins and serotonin.
25:14He party, dude!
25:16Feel my skin.
25:18I think it's moving.
25:20The endorphins bring on a sense of nirvana.
25:24I think that tree was trying to tell me something.
25:27I know the bird was.
25:29The serotonin allows you to feel a sense of bliss
25:31lasting for hours on end.
25:33What's your name?
25:34I love you.
25:36Oh, it's murder!
25:38Ecstasy is not for everyone.
25:44Side effects include paralysis,
25:45willingness to have sex with Margaret Cho,
25:47and listening to crappy techno music.
25:49Ecstasy is often made by community college dropouts
25:51in trailers or cockroach-infested bathrooms.
25:53Front views can lead to put along discussions
25:55with your socks, shoes, or other footwear.
25:57Occasionally, ecstasy can lead to death
25:59from severe cases,
26:00a tendency to waste votes on the green party.
26:01Hi, I'm Megan N. Rodriguez,
26:08reporting live from an apparent bank robbery
26:10where hostages have been taken.
26:12The atmosphere is very tense
26:14as the negotiations for hostage release
26:16enters its final phase.
26:19For those of you just joining me,
26:20last evening an armed gunman
26:22entered the building behind me,
26:24and he vowed to kill everyone inside
26:26if his demands were not met.
26:28Looks as if the hostages have been released.
26:32Let's see if we can get them to talk to us.
26:35Excuse me, how are you feeling?
26:38Um, I'm very sorry.
26:39Are you...
26:39What happened in there?
26:42Yes, um...
26:43Would you care to talk to Eyewitness News?
26:50Oh, sure I would.
26:51Hi, everybody.
26:52Hi, everybody.
26:55If we could start with your name, please, sir.
26:58Oh, sure.
26:58Uh, it's Mickey,
26:59but if you follow that up with Mouse,
27:01I'm gonna bop ya.
27:02You know what I mean?
27:05Sir, you seem to be in very good spirits,
27:08all things considered.
27:09Why?
27:10Did they cancel Gilmore Girls?
27:12I wouldn't want that,
27:14because are they mother, daughter,
27:15are they friends?
27:16I want to know.
27:17I don't...
27:19I don't...
27:20I don't...
27:21Uh, actually, Mickey,
27:23I was talking about the fact
27:24that you'd been taken hostage
27:25by an armed gunman.
27:26Yes, that was awful.
27:28I...
27:28I thought I was going to die.
27:29You know what I mean?
27:33I wasn't...
27:34Then, um,
27:36why are you laughing?
27:37I'm sorry.
27:38I'm just, uh,
27:38a little nervous, I guess.
27:40Mickey,
27:40that's okay.
27:41There's no reason to be nervous,
27:42because we are the news that cares.
27:45Now,
27:46describe for you
27:47your first thought
27:49when you saw the robber
27:50pull out his gun.
27:51Well, uh,
27:52well, I guess my first thought was
27:54I hope my underwear
27:55is absorbent.
27:56You know?
27:57I thought I was
27:59going to piss myself.
28:00And it's not good
28:01when you're wearing khaki.
28:02You know?
28:03It's all for sure.
28:05I didn't...
28:05I didn't...
28:06I didn't...
28:07All right,
28:08I did a little.
28:12Yes,
28:13Mickey,
28:13I'm sure that you were
28:14very afraid,
28:16as we all would be.
28:17Now,
28:18can you tell me
28:18what did the gunman look like?
28:20Uh, well,
28:21he looked like he was
28:22going to kill me.
28:22I don't know what to tell you.
28:24He had a gun in my face.
28:26I wasn't looking at his eye
28:27and hair color.
28:28What kind of question is that?
28:30I thought I was going to die.
28:32I had a handful of urine.
28:35I don't know what...
28:37I don't...
28:38Oh, shoot.
28:40Um,
28:41Mickey,
28:42um,
28:43what did you and the other
28:44hostages do
28:45when the gunman vowed
28:46to kill one of you
28:47every hour?
28:48Uh,
28:49well,
28:49I don't know about
28:49everybody else,
28:50but I unplugged the clock.
28:51Ba-boom.
28:56Mickey,
28:57Mickey,
28:58are you serious?
28:59No,
28:59I'm Mickey,
29:00and you said it twice
29:00in your question.
29:01Ba-boom.
29:02You know what I mean?
29:03What is that?
29:04Somebody's had some of this.
29:05I don't know.
29:10Mickey,
29:10Mickey,
29:11Mickey,
29:12um,
29:12Mickey,
29:12I really need
29:14for you to calm down.
29:15Please,
29:16Mickey,
29:16take us back
29:17into the bank.
29:18All right,
29:19but I don't think
29:19the tellers are working.
29:22Sorry,
29:23you're fine.
29:25You're good.
29:26Oh,
29:26that's a flat tummy.
29:28I like that.
29:29It's like a drum.
29:30Um,
29:31um,
29:32Mickey,
29:32what were the gunman's
29:33first words?
29:34Uh,
29:35well,
29:35I would imagine
29:36they were goo-goo-ga-ga,
29:37but what's I got to do
29:38with the bank?
29:38What kind of reporter
29:42are you?
29:44Mickey,
29:44Mickey,
29:45please,
29:46was anyone hurt?
29:47Oh,
29:47uh,
29:47yes,
29:48yes.
29:48How so?
29:49Uh,
29:49well,
29:49I don't know about you,
29:50but I so like this.
29:51Knit one,
29:51purl two.
29:53I mean,
29:53I'm sorry.
29:54I'm sorry.
29:55No.
29:55You just,
29:56you just pitch it
29:57right down there
29:57and I had to knock it
29:58out of the park.
29:59You know what I mean?
30:00I'm sorry.
30:00You know what?
30:02What?
30:02I quit.
30:03This is just too hard.
30:05I want to go back
30:06to stripping.
30:06I'm sorry.
30:08It's too hard.
30:12Well,
30:12if you're going to go back
30:13to stripping,
30:13why don't you do it
30:14right here?
30:14Ba-boom.
30:14Ha-ha.
30:25Hi.
30:27Hello.
30:28What is your,
30:29your,
30:29uh,
30:30favorite
30:30mad TV
30:31commercial parody?
30:33Oh,
30:34my favorite it?
30:36My favorite.
30:38Larissa,
30:39can you help me
30:40in English?
30:42What,
30:42my favorite
30:43commercial TV?
30:44Yes.
30:45Yes.
30:47If I say,
30:48uh,
30:49I cannot explain
30:51to me English
30:52about that,
30:53you get mad from me?
30:54No.
30:55No?
30:55Nobody gets mad.
30:56I do,
30:57I do silly stuff
30:58all the time.
30:58Nobody ever
30:59gets mad at me.
31:01Really,
31:01I don't understand
31:02what is a commercial.
31:04A commercial
31:04in between,
31:05whenever you're
31:06watching TV
31:07and there's,
31:08um,
31:09an advertisement
31:10for something else,
31:11a commercial.
31:12Right now,
31:12I'm watching the,
31:13about the Iraq
31:15news channel,
31:16and that's it.
31:17And not anything else.
31:19Okay.
31:19Right now.
31:20I don't know
31:20if it's calling
31:21commercial or not.
31:22Okay.
31:23Yeah,
31:23that's it's one of my,
31:25that's,
31:25I don't think
31:25that made our top three,
31:27but what is your name?
31:29My name is
31:29Sianush.
31:30Sianush.
31:32That's three names.
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