- 2 weeks ago
Category
🏖
TravelTranscript
00:00Hello everybody. Good evening. You are so welcome to this show.
00:06Yes, Autumn is here and like a misty September morning, I'm back.
00:10Cool, grey and just a little bit damp.
00:13Anyway, we've got a great line up for our first show of the season.
00:16Look over there, singing for us later, it's the fabulous Ray!
00:22Love Ray, she'll be performing her new single, Where Is My Husband?
00:26But more to the point, where are my guests?
00:29Let's get them on!
00:30First off, we love them as the prime-solving ditter in Grantchester
00:33and we love to hate them as Tommy Lee Royce in Happy Valley.
00:37Now he brings us the epic succession drama, House of Guinness.
00:40It's our good friend, James Norton!
00:46There he is. Hello, Tom. Really nice to see you.
00:49Thank you. There he is, James Norton.
00:53This Oscar-winning actor and writer swaggered into our screens
00:57in Days of Confused, won our hearts in How to Lose a Guy in 10 Days
01:01and was out of this world in Interstellar.
01:03His latest book, Poems and Prayers, is already a Sunday Times bestseller,
01:07while he returns to our screens in a heroic true story, The Lost Bus.
01:12It is a warm welcome back to Matthew McConaughey!
01:19Here he comes!
01:21Hello, Tom. Really good to see you.
01:23There you go!
01:25Yes! That's Matthew McConaughey!
01:27Yes!
01:28And we've got two stars from the new sports drama, The Smashing Machine.
01:34She made her mark in The Devil Wears Prada, thrilled us in A Quiet Place
01:38and was Oscar-nominated for a performance in the global hit Oppenheimer.
01:42It's Emily Blunt, everybody!
01:45Oh, so shiny!
01:47So shimmery!
01:49Show business!
01:51So nice to see you!
01:54And as The Rock, he conquered the wrestling world before turning action movie star
02:01with roles in hits like Jumanji, Moana and the Fast and Furious franchise.
02:05Now, earning rave reviews for his performance as champion wrestler Mark Kerr in The Smashing Machine,
02:12it's the mighty Dwayne Johnson!
02:15CHEERING AND APPLAUSE
02:18Hello, Tom.
02:20Lovely to see you.
02:22Come on in here, too.
02:26Hey, welcome along.
02:28What a couch.
02:29Sit down, sit down, sit down.
02:31Lovely.
02:33Welcome along.
02:34Thank you so much for being here.
02:35Lovely to see you all.
02:36Thanks for having us.
02:37Cheers.
02:38For a show back.
02:39Cheers.
02:40Cheers.
02:41Cheers.
02:42Cheers.
02:43OK.
02:44Yeah.
02:45If you're wondering, tequila.
02:47Now, some of you know each other.
02:49James, I've got to ask, are you alright because you injured yourself?
02:52Are you alright because you don't know anyone?
02:54Well, there's that.
02:56I feel like I know you.
02:58I know you.
02:59Yeah.
03:00And you've met the other backstage.
03:01I have.
03:02We had a lovely time.
03:03Yeah.
03:04Yeah.
03:05Just tequila, surely.
03:06I did get injured.
03:07Am I alright?
03:08No, I am fine.
03:09This is the thing that's on now.
03:10King and Conqueror, which is on BBC One on Sunday nights.
03:13Yes.
03:14I fell off a horse.
03:15That's cool.
03:16Look at that.
03:17Yeah.
03:18I fell off a horse and I broke my collarbone.
03:19In Iceland.
03:20Now, I was thinking, ooh, that must be terrible to fall off a horse quite a distance.
03:23And then I saw a picture of you with the horse and you are taller then.
03:26Yes.
03:28So, Iceland...
03:29Surely a pony.
03:30It is a pony.
03:31OK.
03:32Yeah, yeah.
03:33So, Iceland have a protective order on their horses.
03:35You cannot import a horse because they have this kind of gene pool and it can't be polluted.
03:39And so, having committed to shoot the whole thing in Iceland, and I was a producer on the show as well.
03:43So, we were tasked with finding the biggest Icelandic ponies we could find.
03:47And they were...
03:48That was the biggest we could find.
03:50Even though it was that small, I still broke my collarbone from falling from that great height.
03:54So, yeah.
03:55When did it happen?
03:56It happened at the very beginning of all the stunt sequences.
03:59That's fun.
04:00Yeah.
04:01Stunts though, if you have one of those scenes where you might get injured, it's a good thing to schedule those at the end of the show.
04:06Yeah.
04:07It was actually a rehearsal.
04:08It was rehearsal.
04:09Yeah.
04:10Yeah.
04:11Yeah.
04:12Well, producers...
04:13Producers will do that.
04:14They'll put the big stunt on the line.
04:15Wait, but he's producing.
04:16He is the producer.
04:18I learned a lot.
04:19I learned a lot.
04:20But also, looking at that, I'm thinking, Dwayne, never do an historical epic in Iceland because that pony would not survive.
04:29No.
04:30By the way.
04:31Does a regular horse make a noise when you get on it?
04:34Does it go...
04:35Me?
04:36Yeah.
04:37Why?
04:38Because there's a lot of muscle mass there.
04:40Why?
04:41I mean, that...
04:42A horse would be going, oh, Jesus, look at this.
04:44Oh, my God.
04:45It groans.
04:46It groans, yeah.
04:47Many things groan when I get on it.
04:48Yes, yes, yes.
04:49Oh, my God!
04:50I'm riding that down.
04:51I'm riding that down.
04:53Oh, my God.
04:54All right.
04:55Let's get on with our first film tonight.
04:56Dwayne and Emily are together in the smashing machine.
04:58All right, let's get on with our first film tonight.
05:03Dwayne and Emily are together in The Smashing Machine.
05:07It's in cinemas from the 3rd of October,
05:09and here's just a little taste of what to expect.
05:12Don, can you take this picture for me? Yeah.
05:14What are you thinking at the beginning of the fight?
05:17It's simple.
05:18Am I going to hurt him before he hurts me?
05:20Yes, there was a lie
05:25I'm sure you are
05:31This Grand Prix to crown the greatest fighter in the world.
05:37He has come back from the brink.
05:39Let's see if he can pull out a victory over Mark Coleman.
05:43Have you spoken to either about fighting such a good friend
05:46for a life-changing amount of money?
05:50I just need you to let me in.
05:51I just need you to let me in.
05:53It's always about you, only about fucking you.
05:55Everything is about you.
05:57Let's fucking go.
06:01Extra man, I love you.
06:07Extra man, I love you.
06:15It's so good.
06:16Thank you, man.
06:17Thank you, thank you.
06:18Thank you, brother.
06:21It is phenomenal.
06:22It's a true story.
06:23Mark Kerr, he was sort of the first star to come out of the MMA UFC world.
06:28He was, yeah, for a lot of you who don't know him, and a lot of people don't know him.
06:31Mark Kerr was the first, he was one of the pioneers of, there he is right there, of MMA.
06:37And he was, at one time, he was the greatest fighter on the planet, heavyweight fighter.
06:42And at that time, there were no rules, no regulations, and MMA was different.
06:47And there was no infrastructure around it.
06:49There was no financial planning.
06:51There was just fighters.
06:53And Mark fought his way to the top, and he struggled.
06:59And he struggled like a lot of fighters do.
07:01Unfortunately, though, he struggled under pressure.
07:03And the pressure, in many ways, got to him.
07:05There was addiction involved, and he wound up overdosing twice.
07:08And he's lucky to be alive.
07:09But he's here today, and not here in the audience, but he is alive.
07:13Ladies and gentlemen, Mark Kerr.
07:14But he is with us today, and he had this unbelievable life,
07:20and he had this volcanic relationship with his girlfriend,
07:24who eventually became his wife, and they have a beautiful son named Bryce.
07:27So, it was really the role of a lifetime.
07:30So, Emily, tell us about Dawn.
07:32Yeah.
07:32I mean, she's an extraordinary person, you know, and I found her,
07:37when I spoke to her, sort of simultaneously heartbreaking and fierce.
07:40And I think it is a very complex relationship to be in when you're with a very dedicated athlete,
07:51whose life is on the line constantly, through his own addiction, through actually being in the ring.
07:56And they did have this rather hazardous relationship.
08:00But I think the movie is less about, you know, it's set to the backdrop of this 90s machismo,
08:07but it's so about vulnerability and the brokenness,
08:09and like how you never really know what's going on in someone's life, you know.
08:12And the image of invincibility is not really the truth, you know.
08:16And we've got to talk about the Venice Film Festival, because you took actual Mark Kerr with you.
08:20Yeah.
08:21So, I mean, obviously emotional to watch it.
08:23But to watch it with him, to watch it with him, that was the first time he'd seen it, right?
08:28It was the first time he had seen it with an audience.
08:30So, we get to the Venice Film Festival, which we're there for competition, and we're sitting there and watching it.
08:35I sat next to Mark.
08:36Mark's a big guy.
08:38And I could feel him, and he's shaking.
08:40He's shaking the entire movie, especially the fight scenes with him and his girlfriend,
08:45who eventually became his wife, Dawn.
08:46He's shaking. Every once in a while, I reach over and grab his knee.
08:50And towards the end of the movie, where we have the big scene with Emily and I...
08:55Don't ruin it.
08:55I won't ruin it.
08:56No, I won't.
08:57Don't overpitch.
09:02So, anyway, you'll never guess what happens.
09:05Um, and then he is really shaking and crying.
09:09And then I look over and Benny Safdie's holding his hand.
09:12And, um, you know, in Venice Film Festival, it's very ceremonial, right?
09:16As we know.
09:17And it means a lot.
09:19Films mean a lot to people in Venice and at the Venice Film Festival.
09:23And before the credits came up, um, the audience erupts.
09:28And they give us a 15 and a half minute standing ovation.
09:32And Mark Kerr is sobbing, which makes us all cry.
09:37Yeah.
09:37Benny as well.
09:38And it was just beautiful.
09:40We've got a little bit of footage of the ovation.
09:43And they say, it goes, I mean, it's incredible.
09:45Look at me.
09:47By the way, yes, let's wait till this is over so I can embarrass you.
09:51Because this is...
09:51I know.
09:52No, look at your face.
09:53Yes.
09:54And Mark Kerr's beside me.
09:56That's Mark.
09:56Look at the guy himself.
09:57So there I am, right?
09:59I'm very emotional.
10:01The house lights come on before they're expected.
10:03I'm crying and I'm trying to wipe my tears away to try and still stay cool.
10:08And this one is like, can you believe that we did that thing?
10:11Whatever the fucking joke was that she said.
10:13You can see in the clip that he's crying.
10:17And I went, do you remember on Jungle Cruise when you said you never cried?
10:20I'm in a moment.
10:22I'm in a moment.
10:25It's like the British thing, right?
10:27No, I think it's the British thing.
10:29Like, it's like, it's a long time for people to be clapping and I started to get embarrassed.
10:33Yeah.
10:33So I started making jokes because I was like, oh, God, this is so much.
10:37Yes, to remain kind of humble and grateful for 15 minutes is quite hard.
10:41Yeah, it's hard.
10:42We thank you so much.
10:44And here's the thing, you know, just watching the trailer there, you know,
10:48that idea of Dwayne Johnson disappearing into any role,
10:51you kind of think, oh, how can you transform?
10:54But you do.
10:55What, what, and it's, and it's not just the physical thing,
10:58because it's obviously this hair, but other things went on.
11:00It was about 22 prosthetics.
11:03We had Kazu Heroes, our Oscar-winning prosthetic artist,
11:07and he helped me transform.
11:08There was also a vocal transformation, too.
11:10But the idea, I think, of transforming for me was something that, you know,
11:15I didn't know that I was, I didn't know that that was for me.
11:19And I wanted to do that because a lot of times in the movies that I've made in the past,
11:23the bigger movies, they're big and they're fun.
11:25And I've liked them from Jumanji to Moana.
11:29And I'll go back to those.
11:30But there was something about this opportunity where there was a little,
11:34there was a voice behind my ribcage that was just telling me, right?
11:38So, like, it's like, and I'd share this with Emily for years.
11:42Like, it's just, it's gnawing at my gut to do more and challenge myself and grow
11:48and do something where I'm not chasing box office, but I'm doing it for me.
11:52Yeah.
11:53And it wound up being the most greatest, most gratifying thing.
11:57And I've said this before and I mean it.
12:00Smash Machine changed my life.
12:02Well, you so pulled it off.
12:03Thank you very much.
12:04It really is phenomenal.
12:06And Matthew, I'm interested because you had a kind of similar career pivot to the,
12:10what Dwayne's doing now, where you had this incredibly successful career with rom-coms.
12:16And you went, no, I'm going to search out different sorts of parts, more meaningful parts.
12:20How hard was it to turn your back on that incredibly successful career?
12:24Similar to what Dwayne said, I had that 4 a.m. in my solitude on my own truth that hit me.
12:30It lands like a butterfly and strikes like a lightning bolt at the same time.
12:33That truth that you go, okay, tomorrow when the sun comes up and I'm back in the masses
12:37and all of the world's coming at me and all those offers, I need to remember this truth.
12:41Now, I've been trying to get dramas and was even offering huge pay cuts.
12:45And they're like, no, stay in your lane, McConaughey.
12:47You're the rom-com guy. You got that down.
12:49Mind you, I enjoyed him, but I was wanting to do something different.
12:51Because I couldn't do what I wanted to do.
12:53I said, I got to stop doing what I'm doing.
12:54So I said, no more, no more rom-coms.
12:56I called the agent, said, let the town know.
12:59It's not going to happen.
13:00I went to Texas.
13:01Camilla's pregnant.
13:02I'm on the ranch.
13:03Quiet down there.
13:04Camilla says to me, look, you don't know how long it's going to be dry.
13:06How long are you going to not go with work?
13:07This could go on, but this is non-negotiable.
13:10We're not going back.
13:11I was like, we're not going back.
13:13Now, a year goes by, nothing, nothing.
13:17I call my agent.
13:17He goes, Matthew, I haven't even heard your name in six months.
13:20I'm like, okay.
13:21I may have just wrote myself a one-way ticket out of Hollywood.
13:23I start to think about other vocations.
13:26School teacher, wildlife guide.
13:28Maybe I'll go back to law school, all right?
13:3118 months go by.
13:33I really think I've done it.
13:35I'm out.
13:36I get this romantic action comedy.
13:38It comes with an $8 million offer.
13:41I read it.
13:41I pass.
13:41I say, no, thank you.
13:42It comes back with a $10 million offer.
13:44I said, no, thank you.
13:45It comes back with a $12 million offer.
13:47I said, no, thank you.
13:48It comes back with a $14.5 million offer.
13:51I said, let me read that thing again.
13:55Yay.
13:56Same words as the $8 million offer, but it was better.
13:59It was funnier.
14:00I could see myself.
14:01This could work, right?
14:02But I ultimately said no.
14:04That must be so hard to say no.
14:06It was, but saying no to it, I think sent a little invisible message to Hollywood.
14:13Oh, McConaughey's not bluffing.
14:14We were talking about not flinching.
14:15Yes.
14:16Oh, he's playing offense.
14:18He's not just doing nothing.
14:19Mm-hmm.
14:20He's playing on, he's onto something.
14:23And 20 months, two months after I turned that down, the offers came in that I was looking
14:29for, and they came in in droves.
14:30It went Killer Joe, Mudd, The True Detective, Dallas Buyers, Magic Mike.
14:34Oh, that movie.
14:35They came in, everything I was looking for, and they would not have come in if I wouldn't
14:39have unbranded for that 20 months.
14:42Yes.
14:42Yes.
14:43All right?
14:43Now, Dwayne, you didn't have to unbrand.
14:44You had enough steam going, I can make whatever choice I want, and I'm going to make this happen
14:49over here.
14:49It was a time for me where I had to unbrand, and it took 20 months.
14:52Mm-hmm.
14:53But then I was doing, and all of a sudden, my work was challenging the vitality I like.
14:57I was like, there we go.
14:58Yeah.
14:58So cool.
14:59I know, yeah, absolutely.
15:05And I was wondering, I think every actor that wants to be successful, but then you don't want
15:08to be typecast, and James, you know, you were so good as Tommy Lee Royce in Happy Valley.
15:15You had that kind of psychotic faddy.
15:18Oh, yeah.
15:20Thank you very much.
15:22Like, were you just offered lots of psycho villains after that, or...?
15:28Yeah.
15:29Yeah.
15:30I seem to get offered roles where they present as nice and kind of civil, and then underneath
15:35they have a heart of stone.
15:36And I don't know what that says about me, but...
15:39Yeah, look, I mean, I haven't had to rebrand, which is lovely.
15:43I've, you know, been lucky.
15:44I've been able to kind of twist and turn, and I think that's the way you keep learning,
15:47and keep it fresh.
15:48That's what every actor wants.
15:49And, yeah, I mean, the villains are also really interesting.
15:52Like, the one I'm playing right now is a beast.
15:55Yes.
15:55So, you know, I get to play, and, yeah.
15:58But I have to say, I've cited you as someone who has done it, and, you know, now you as well,
16:03Dwayne, like, someone who has done it so elegantly, you manage to go against the grain.
16:07Because the producers, they want their job to be done easily, you know.
16:09You don't want your actor to have to go on these massive transformative journeys,
16:12because it costs money, and you have to get dialect coaches and everything else.
16:15You want the actor to walk in as the character.
16:17And actually, what we want to do is go on those journeys, which you guys have just described so
16:20beautifully.
16:21So, yeah, it's a tough kind of struggle, then.
16:24Talking of returning to our role, we've seen a lot of paparazzi pictures of Miss Emily Blunt recently,
16:30because you, are you still filming The Devil Wears Prada 2?
16:34Yes.
16:35Yes.
16:39It must be lovely to be making something that people are so happy about.
16:42They are so excited about it.
16:44It is incredibly sweet.
16:45I mean, we're trying to keep as much of it under wraps as we can, but it's not just the paparazzi,
16:50it's the fans outside.
16:51I've never experienced this, where it's just thousands of people waiting outside the sets.
16:56And I think when we made the first one, like, we thought it was funny.
16:59We were like, it's really funny.
17:00And then it comes out, and I was a kid, you know, when it came out.
17:05I mean, it's 20 years ago.
17:06And I remember my agent calling me going, you know, this is the opening weekend.
17:10I was like, is that good?
17:11Like, I didn't know what success was.
17:15And so it had this meteoric life, and it's amazing to come back to it.
17:20And because to make the second one, obviously, they needed the four of you, you, Stanley, Anne,
17:24and Meryl. So did the four of you have a lot of say in what the story was going to be?
17:28Or? We did.
17:29I mean, I think they were very collaborative on it.
17:32And, you know, they wanted everyone to be happy.
17:34They wanted us in cahoots with them.
17:36So it was really, really cool.
17:39Well, we look forward to that.
17:40But before then, do I urge you, go see Emily and Dwayne give extraordinary performances in
17:45the Smashing Machine in cinemas from October the 3rd.
17:49Very good.
17:52OK.
17:55Next up, Matthew McConaughey.
17:57He brings us the latest offering from director Paul Greengrass.
18:01It's called The Lost Bus, and it's out now in selected cinemas,
18:05then on Apple TV Plus from the 3rd of October.
18:08Before we talk about it, here's some of the trail.
18:11At approximately 6.30 a.m. this morning, a fire entered the town of Paradise.
18:15Where do you need to get to?
18:22My son's up there with his grandma.
18:30It's too late.
18:33I'm too late as a father.
18:42It's not too late.
18:45LAUGHTER
18:50Wowza!
18:58Again, this is another extraordinary true story.
19:02Yeah.
19:02These awful, awful California wildfires in 2018.
19:06And this kind of reluctant hero.
19:08tell us about Adam McKay. Kevin McKay. Kevin McKay, sorry. In our story, he's come home
19:14because his father died and he's there to take care of his widowed mother and reconcile our
19:19relationship with his son from an earlier divorce in his life. He's got a part-time job as a school
19:24bus driver. On this particular day, took the kid's school, dropped him off, was out and about and
19:31fires were coming across the canyon. They did, it happened all the time. No one even got alarmed.
19:35They always, the first responders head up there and put them out. But on this day, the winds came and
19:40the fires jumped the canyon. So the first responders were stuck. And while they were stuck, they called
19:46it a mandatory evacuation out of the town of Paradise. When that happens, Kevin McKay has
19:52just made the decision, I'm going to go back and get my mom and my son who cannot drive. I'm going
19:58to save them, evacuate them. Not two minutes later, it comes through dispatch. I've got 23 kids
20:05stranded on the east side of town. Does anyone on that side of town have an empty bus? Well,
20:08guess who's got an empty bus? Do you pick that up and say yes? Or do you go get your mom and your
20:17son? He picked it up and he said, I got him. He picks him up. There's a teacher with a Mary
20:24Ludwig who's played by America Ferreira. And this is the story about the next six, seven,
20:29eight hours of what happens. Wow. And you mentioned the personal side of the idea of being a dad.
20:33Yeah. And of course, that's incredibly present in this film because it is a family affair.
20:39Yes, it is. Check this out. I go home and pitch the script to my family as I always do. Here's what
20:48it's about, you know. And if it's too R-rated, you got to kind of do it in a parable form. Kids were old
20:54enough. I told him that this one was about straight. I get to the part about my son and my
21:00son, Levi, who's 15 at the time, goes, is that part cast yet? I said, no. He goes, you think I
21:04could read for it? Oh, my God. And I just kind of look at him. Huh? Had he ever read for anything
21:09before? No. So this surprises me, but I kind of just give him a shoulder and like, yeah, right.
21:14He comes back next day. The next day, he badgers me four times. I said, okay, all right. First off,
21:19sit down. We're going to talk about what this acting gig is. I said, this ain't modeling. This
21:24ain't no attitude. All right. This is a freaking rodeo. You got to go with soul and no bullshit
21:30in your bone. So he goes, well, I already got a scene worked out. I want to shoot. So I pulled
21:34out my camera shot. I was like, first take. I was like, okay. Kids got present. He was able to behave
21:40honestly in front of the camera. I was like, that's for starters. You need that. Did two takes. I sent it
21:45to the casting director with a note saying, I think this is good enough for a callback. She writes back
21:50and says, I think it's good enough to send to the director, Paul Greengrass. I said, great.
21:55And then it dawned on me, wait a minute, do me a favor. Can you pull his last name?
22:00If he gets it, is he going to have an inkling that the last name helped him? Oh, I don't want that
22:06happening. So she pulled the last name, goes in his leave. Paul sees it, director, looks like this,
22:10this is the kid. She said, well, you know, it's actually Matthew's son in real life. He goes,
22:13it's even better. Oh, that's so cool. And then, so it's lovely, your son's in it. Your mom's in it.
22:19My mom's in it. My mom's in it. Tell them who she plays. Tell them who she plays. No, she plays.
22:27My mother. There she is, Kate McConaughey, 93 years young. Oh my gosh, she's gorgeous.
22:33Yes. No, but look at your son as well.
22:36Wow.
22:38So, what we're going through, Paul and I would get together every week and kind of just go over the
22:44last week. How are we doing? Are we missing anything? Is there anything we want to do?
22:47Anything special? And the news was always good. We were always happy with everything he was doing.
22:51But he said, about four weeks in, he goes, I got one problem. He goes, I think I miscast the mother
22:54and I either misdirected it or we got to rewrite this scene. Do you know, do you have anybody any idea who
22:59could play your mother? I said, let me think about it. Next day, he goes, what about
23:03your mom? They're making this family affair, Paul. I said, hang on a second. He goes, let's just
23:08cast her. I said, hang on. Hang on. Before we just cast her, let me get her in front of you. And I
23:12said, mom, can you send me a minute video on your phone of why you love being a mom? She
23:18sends me an eight minute video. I show that to Paul. He's like, yes, that's her. What was that
23:25conversation like when you told your mom? She was already into like, let me check with my
23:31agent, which she doesn't have. She was already like, well, let me think about it.
23:40This is all sounding very familiar to James Norton because your dad, has he been in every single
23:48thing you've done? Dad? Has he? My dad has been in nearly everything I've ever done. Yeah. I'm
23:52terrified of him watching this because I know I'm going to get a text saying, why can't I play your
23:56dad? I want to, I want to, you know, I've got my notes ready. He mostly does kind of supporting
24:00background work. Yeah, yeah. He does a day as an essay on everything I do. So here he is in
24:05the House of Guinness. This is your current project. There he is. But we have found footage
24:11of him from War and Peace. This is, it's over, is it 10 years ago? More than 10. At least he flew
24:16himself out to Lithuania to shoot this. Yeah, he flies across the world. I did wonder how the hell he
24:21ended up in Lithuania to be in this. So he flew himself. He loves it. Yeah, yeah. He gets
24:26a free haircut. He kind of struts around the set like a peacock, gets, you know, to flirt with
24:30him. So you're not in this scene, but keep an eye out. I'll show you James out here. I
24:36mean, blink and you might miss him. But here we go. A warm peace. It's all going very well.
24:42Lovely, very dramatic. And look, who's that in the moustache?
24:46There you go. Did he keep the moustache? He loved it. Did he keep the moustache? He didn't
24:53keep the moustache, no. Oh, it's a new one in House of Guinness? It's a new one in House of
24:58Guinness, yeah. In House of Guinness he had to throw a bottle at me and he's not the most coordinated
25:01and it was in a stunt sequence and he had to throw the bottle multiple times. But yeah,
25:05no, he loves it. So when he comes out, is it specifically for one scene or does he just lurk
25:09around for many background scenes? No, no, no. We make sure that he's only on for one scene.
25:13He would. He would, if he had the choice, get an agent. I mean, I'm terrified. But has
25:18he never asked for lines? Has he never asked for lines? He had a line in one thing. Oh,
25:21it was terrible. He had a, I'm sorry, Dad, but he had a line in Lady Chatterley's Lover and
25:27I remember him, it was the director said, Hugh, let's give you a line and he improvised
25:32something about the state of the coal mine. And he looks at me and goes, what the fuck? Like,
25:36how do I, what does he mean? And then it was, I don't know about you, but you obviously,
25:40your son and your mum obviously clearly much more talented than my dad because he was terrible.
25:44And I was standing there and I'm trying to stay in character and all I have is this man
25:47going, the coal is not coming up the ground. Terrible.
25:52Really distracting when you're a terrible actor. And Dwayne, your mum, she didn't act but she
26:01has now done some acting. She has. We actually, so I followed in Matthew's path and I put her
26:07in a caster in live action Moana. So she's in that, yeah. Does she have lines? No, thank God.
26:14OK. You went the Norton route. No, yes. That's it.
26:19You've talked about her before, but I love the idea of your mother. She enjoys your fame very much.
26:24She loves it. She does. My mum's had a tough life and she, so now she's living like,
26:29There she is. She's just living her best life and she does. She's my biggest fan.
26:34And she has this crazy room that's called the Smackdown room. And in the Smackdown,
26:40it's just all me. Yes. Everything that, I mean, every little thing, anything you can think of.
26:48She just shoves it in there and then this room. Your mum has something like that?
26:51My mum has the same room. Not of you, but it's of all my stuff.
26:55That would be weird.
26:59So your mum is your biggest fan? Yes, but she also, she is my biggest fan, but she also
27:04was very clear to take credit for all of us. Wow. Yes.
27:09Every role I've ever played. Here's what she comes up after. She's like, she goes,
27:13Matt, you did so good. I can tell where you got it from.
27:18Very proud. But we're fine now. My ship's stable enough where I'm like,
27:24Mom, say whatever you want. Whatever you want.
27:26Now that she's got a great agent, she's good. Yes, yes.
27:29But also, she published a book. Yes.
27:31Can you remember what the name of the book was? Oh, yes.
27:34Because I'm, she probably has already put a sticker of the title of the book
27:37on my truck. It's called I Amaze Myself.
27:43I feel like every book, every book should be called I Amaze Myself.
27:47She's a legend. That is amazing.
27:49Chapter 26. Guess what the title is?
27:52Some people deserve to be pissed on.
28:02What is Christmas like in your house?
28:05It's wild. Is it novel?
28:07No, it's short stories. I don't know. Some people, it's probably helped out some people.
28:12She's very much a, um, she gets by on positive thinking and denial.
28:19And it works. And she's 93 and not shallow and kicking ass.
28:22So, I love her. And talking of books, I must say,
28:25after the success of your memoir, Green Lights, you now have a new book,
28:28Poems and Prayers. Yes.
28:30Number one in the New York Times. We already know it's going to be
28:33in the bestseller list in the Sunday Times.
28:35Thank you. Thank you.
28:37And, from what I read, so, a lot of the material in here,
28:42you've been working on off and on for years.
28:45Yes.
28:46So, this is something you've always done.
28:48Yeah, I've been writing poetry since 18.
28:50Yeah. Yeah.
28:51And, and I think you're going to do one for us?
28:54Maybe. Yeah, I'd love to read one.
28:55Have you got the book with you?
28:56Actually, your mum is here and she's going to read it.
28:59She's here in her two-piece bikini.
29:01Ready to read it?
29:02I want to just set up...
29:03Ready to pee on somebody.
29:04Oh, you've got the book there.
29:05What this, why I wrote it and why I put it out now.
29:08Um, it seems to me belief is in short supply.
29:12Um, you look around, you turn on the news,
29:15you look around, there's not much to believe in
29:18or reasons to believe.
29:20And that's not going to work because if doubt wins,
29:24we're all going to lose.
29:25Alright? So, this is me looking for belief
29:27because I found my own self getting cynical.
29:29I found my own self objectifying people
29:31and kind of thinking, I guess that's just the way it is.
29:34First, that scared me.
29:35Secondly, thankfully, it pissed me off.
29:37And I said, no, no, no, no, no.
29:38I promise I'll never become a cynic.
29:40That's an early death if you do that.
29:42So, I wrote this to dive into my own belief.
29:45And I've also found a lot of people along the way going,
29:47they feel kind of the same way.
29:48They're looking for belief.
29:49So, poems and prayers, instead of looking to reality
29:51and the evidence for belief,
29:52let's look at our dreams and our aspirations
29:55and see if we can bring those back down to earth.
29:57And that's why I wrote this book.
29:59There's a bunch in there.
30:00Why don't I read one that's kind of funny?
30:01Okay.
30:02Alright?
30:03And not that long.
30:04How about that?
30:05It's called More Time.
30:06I think it was about 2 AM.
30:08The band played the last tune and I said amen.
30:11Went to pay my tab over at the bar
30:13when the main event started tuning their guitar.
30:16So, I ordered myself another bottle of wine.
30:19God, I love it when I got more time.
30:21Thought it was the year 2010.
30:24Not a worrying sight in the fast lane again.
30:27Signed all my checks one year tardy
30:29because it was 09 and I hadn't left the party.
30:32So happy my balance wasn't in the red.
30:34God, I love it when I'm early instead.
30:37Met a woman I liked and she became my friend.
30:40We turned into lovers and thought we'd make it until the end.
30:43But as soon as we lined up hand in hand in the queue,
30:46my eyes started turning a lighter shade of blue.
30:50Well, sometimes love just loses its shine
30:54and sometimes leaving early just gives you more time.
30:58Shut up!
30:59Very good!
31:01Very good, brother.
31:08Meanwhile, in another part of the forest,
31:10James Norton brings us a new epic historical drama,
31:14House of Guinness, on Netflix now.
31:17And here's a taste delicious.
31:20The death of your father has served to poke a stick in a hornet's nest.
31:28A gift from Mr. Guinness.
31:31From a representative of the Dublin poor.
31:35Children Sir Benjamin leaves behind are weak and divided.
31:39Now is the time to use that weakness!
31:42Freedom!
31:43You think there'll be trouble today?
31:47The man's name is Guinness.
31:52Of course there'll be fucking trouble.
31:54There's no ponies in that.
31:55No ponies.
31:56Big horses.
31:57Big horses.
31:58Big horses.
31:59Big horses.
32:00And here's the thing, obviously the Guinness family, who are kind of fighting for control of the brewery, they're real.
32:09Who do you play and are you kind of an actual historical figure?
32:24So I'm not.
32:25I'm made up.
32:26The story is kind of the father, Benjamin Guinness, it's all true.
32:30He died in the early 1860s and he left his power vacuements, the kind of big dynasty show.
32:36The four children then take over the brewery.
32:38I play their fixer, caretaker, kind of the foot, he runs the show, he's the boss.
32:44He's called Sean Rafferty and he's a badass.
32:47Yeah, he really is a badass.
32:48It's really fun.
32:49Yeah.
32:50And it's by the same guy who wrote Peaky Blinders, right?
32:53It's Stephen Knight, yeah.
32:54Oh, I love Stephen Knight.
32:55Yeah, yeah.
32:56And he's firing on all cylinders, he's in his element.
32:59You can tell he had a lot of fun making it.
33:01Yeah, it's a romp, you know.
33:03It's an amazing period of history.
33:05It's when this brand, Guinness, became the biggest beer brand in the world.
33:09I didn't realise how famous Guinness was in the 1860s.
33:12Yeah.
33:13It was global already.
33:14Well, the story is kind of the moment it exploded into North America
33:18and on the kind of coattails of the Industrial Revolution.
33:21But it's sort of, it's smoky and sexy and it's irreverent and, you know,
33:25it's, we have many names, the crown with beer.
33:28Subsession, it's been called.
33:31Did you say Sip Session?
33:33I mean, there's many people have coined it, but yeah, it's a lot of fun.
33:36It's definitely a fun, fun romp.
33:37And when I watch something like this and, you know, you're in it
33:40and you're doing a really good Dublin accent.
33:43When you said yes to it, did you just kind of think,
33:45I'm sure I can do that accent or did you know you could do a Dublin accent?
33:49No, I mean, I was terrified.
33:50You know, the Irish are very, well, you know, they're very proud people.
33:54Rightly so.
33:55They'll tell you.
33:56They will tell me, they do.
33:57They often do.
33:58Have you done press in Ireland yet?
33:59I have.
34:00You got away, yeah.
34:01Terrifying, honestly.
34:02I sat on this couch with Jamie Dornan and he told us he got crucified
34:05by a journalist for his Irish accent.
34:07Yes.
34:08And he's Irish.
34:09I was in that movie with him.
34:10You were in that movie?
34:11And we got destroyed.
34:12Yeah, but he's Irish.
34:13I mean, I know he's, but he's from Belfast.
34:16Yeah, that's true.
34:17And they told him his Irish accent was shit, so it was like...
34:20I don't know what, I don't know.
34:22Anyway, but no, listen, the accent was terrifying
34:24and I worked really hard at it because, you know,
34:27we all know actors who didn't get it right
34:29and they do get held to account.
34:30And did you have any kind of like, were you given shortcuts into it?
34:34Yes, I did.
34:35I had an amazing dialect coach called Paul Mousselides
34:38who basically, yeah, he gave me...
34:41I don't know if you've ever done this for an accent,
34:43but he gave me kind of the vowels broken down into eight sounds
34:46and then these little poems, actually, funnily enough,
34:48I could follow, I could follow with one of the poems,
34:50but they were kind of ridiculous and I would listen to them
34:54and look kind of crazy walking around.
34:56Can you remember any of them?
34:57I remember, like, the sound, I mean, I'm going to butcher it
35:01and the Irish people are going to come...
35:03They're not.
35:04They are.
35:05You're not on set.
35:06No, I'm not on set.
35:07It was a year and a half ago in my defence.
35:08The sound, like, wine, light, fine Ireland,
35:12it was something like,
35:14the prime height for umpours in Ireland is five foot nine.
35:17I'm smiling now because of the fine white wine I'm drinking.
35:21It makes me feel like I'm a lion flying over a toy.
35:24You know what I mean?
35:26Did you do that earlier?
35:27Yeah, yeah, yeah.
35:28You still got it.
35:29You still got it.
35:30That's one of...
35:31That's cool.
35:32You meant that, no?
35:33As an accent, you...
35:34Like, it's very scientific.
35:35You break the accent down into these times.
35:37Have you ever done an accent, Matthew?
35:38Yes.
35:39Yeah.
35:40Tim Monick is who I worked with.
35:41He's done the same things.
35:42He's great.
35:43Yeah, you give the little limericks and you just find the...
35:47Actually, the rhyme and the vowel sounds along the way
35:50and you start...
35:51It sort of seeps in.
35:53James Norton, this is a big action series, a big action role for you
36:00and we've had fighting, we've had fires.
36:03You bring us explosions.
36:05I do.
36:06Now, have you ever had to do walking away from an explosion before?
36:10I'm so pleased we can get to talk about this.
36:12Yeah, so we have...
36:13No.
36:14You have.
36:15I know you have because there is a song.
36:17So we were shooting this scene in Liverpool and Sean Rafferty.
36:21My role was made very easy because all I had to do was sort of strut
36:24and smoke cigarettes and look kind of cool.
36:26And so one of these scenes, I was walking away from an explosion
36:29and my business partner and my dear, dear best friend,
36:31she texted me in the middle of this scene.
36:33She said, have you seen Cool Guys Don't Look Back at Explosions?
36:36The Lonely Island guys.
36:37Have you seen it?
36:38Yes.
36:39The Andy Sandberg, which you were in.
36:40The Lonely Island.
36:41It's a song and he's cut together.
36:42It's so good.
36:43He's cut together all the actors and actresses over the time in Hollywood
36:46who have walked away from an explosion and not turned back.
36:48You can't turn back.
36:49You can't turn back.
36:50But you are my inspiration.
36:51Oh, cool.
36:52This is actually in the series.
36:54This is Sean Rafferty walking away from an explosion.
36:57I'm not afraid of a bit of progress.
36:59Blackwood will never win.
37:02Wait for it.
37:03Oh, there you go.
37:04But then do I look back?
37:05Do I not?
37:06No, you don't.
37:07No!
37:08So cool.
37:09So the rules, Bernie, are you don't look back.
37:11That's a rule.
37:12You don't look back.
37:13Because the other thing would be you wouldn't look sort of pleased with yourself for walking
37:16away from an explosion.
37:17Oh, no.
37:18Don't look back.
37:19Don't look pleased.
37:20Don't look pleased.
37:21Stone cold straight faces.
37:22Stone cold straight faces.
37:23Yeah, like this is what I do kind of thing.
37:25By the way, you're a producer.
37:26Make it happen.
37:27Yeah.
37:28I wasn't a producer on this.
37:29But I didn't know what you were about.
37:30Yeah.
37:31So this is a slightly longer take.
37:33This is from behind the scenes of Sean Rafferty walking away from the explosion.
37:38Oh.
37:39So here he goes.
37:40So there's the explosion.
37:42Not looking back.
37:43Oh, he looked back.
37:44He did.
37:45At least he hasn't looked pleased with himself at all.
37:48Oh, no.
37:49That's cool.
37:50Found out.
37:51All right.
37:52It's time for music.
37:53The seven-time Brit Award-winning Grammy-nominated artist first set the world alight with her
38:05debut album, My 21st Century Blues.
38:08Here performing her newly released single, Where Is My Husband?
38:11It's Ray.
38:13I look like a baby.
38:14I look like a ring.
38:15I look like a ring.
38:16I look like a ring.
38:17I look like a ring.
38:18I look like a diamond ring on my wedding finger.
38:22I look like a big and shiny diamond.
38:24I could wave around and talk and talk about it.
38:26And when the day has ever given me God that I could ever doubt it.
38:30Till death I do, I do, I.
38:33This man is testing me.
38:35Oh, oh, oh, oh, help me.
38:38Baby, where the hell is my husband?
38:41Would've taken him so long to find me.
38:46Oh, baby.
38:47Where the hell is my lover?
38:49Kicking down with a lover.
38:51Ooh, yeah, yeah.
38:52Tell him if you see him, baby.
38:54He should have.
38:56Why is this beautiful man waiting for me to get over?
38:59He already testing my own patience.
39:01I only think he's taking time with other women that ain't me.
39:03Well, I've been reviewing applications.
39:05Wait till I got my hands on him.
39:07Why am I telling him to follow?
39:08He can't be waiting, anticipating.
39:10Bring to the love to give him to my loving heart.
39:12And it's fine.
39:13I can't breathe.
39:14He'll see.
39:15He'll see.
39:16He'll see.
39:17He'll see.
39:18He'll see.
39:19He'll see.
39:20He'll see.
39:21He'll see.
39:22He'll see.
39:23He'll see.
39:24He'll see.
39:25The让록 Zombieesta promise.
39:26He'll see, okay.
39:27This man is testing me.
39:29Uh-huh, uh-huh, uh-huh.
39:31Help me.
39:32I need you to tell me, baby.
39:33I need you to tell me, baby.
39:34What the hell is mine with him?
39:35What is he giving following me?
39:36To find me?
39:37Oh, baby.
39:38Where the hurt is my lover?
39:41Getting down with a lover.
39:45Tell him if you see him, baby.
39:46But his以上.
39:48I'm doing dummy acrobatics, unzipping my dress at 2 AM,
39:51and I'm tired of living like these.
39:52like this. He must be out and getting ready, trying to fix up his tire. Uh-huh. Uh-huh. Uh-huh. Uh-huh. Hello. This way you're right.
39:57It's okay. So I got your heart going. I'm not turning out too foul. Much. I'm gonna love you. No one above you. Pray.
40:03So the lot's a hurry. Hurry. You alone. Baby, I ain't saying no bless you.
40:06Easy. Easy. Easy. Easy.
40:10Oh, my.
40:11Oh, my.
40:12Is he far away? Is he okay?
40:17This man is testing me. Uh-huh. Uh-huh. Uh-huh. Help me.
40:20Help me. Help me. Help me. I need you to tell me.
40:22Come here, baby.
40:24Whether it is my husband, would've taken on the show alone, to find me, oh, baby.
40:32Where the hurt is my love, get it down with another. Tell him if you see him, baby.
40:39T-t-t-t-tell him I'm mm. Tell him I'm mm. With the mm-mm-mm. Tell him I'm kind. Tell him I'm quiet.
40:45Tell him I got brown eyes and a grown fitter. If he doesn't find me, now I'm gonna die. I lost a penny.
40:49Oh, my, my, my, my, my.
40:50Every help is Jesus. Oh, my, my, my, my.
40:53No, no, no, no, no. I want it, want it, want it, want it, want it, want it.
40:55It's like a caminho. I'm with it like a ring. I'm with it like a diamond ring.
40:58I'm out with a finger. I'm with it like a big and shiny diamond.
41:00Now I can wave around and talk and talk about it.
41:02One day. Something that we shoot people they're gonna do.
41:03But I could never doubt it.
41:05Do it, do it, do it, do it.
41:07This man is testing me.
41:08Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
41:12Where the hell is my husband
41:14And what's taking him so long
41:17To find me
41:19No, no, no, baby
41:20Where the hell is my lover
41:23Getting down with another
41:25Tell him that my grandma said it
41:28Tell him that my grandma said it
41:29Your husband is coming
41:30I put like a ring
41:35I put like a ring
41:36I put like a ring
41:37I put like a ring
41:38I put like a big and shiny
41:39Diamond, diamond, diamond, diamond
41:42Diamond, diamond
41:43Oh, where is my husband
41:49Wow!
41:53Wow, wow, wow!
41:56Putting on a show!
41:58Give it up for Ray!
42:00Her orchestra
42:02And her backing vocalist
42:04Come on over, Ray, dude
42:06How amazing was that?
42:08Startening
42:10Hello, Ray
42:12Hello, Ray
42:13So good to see you
42:14What a lot
42:15Come and meet everyone
42:16Hello, Ray
42:17Hello, Ray
42:18Hello, Ray
42:19Hello, Ray
42:20Thank you
42:21Stay right there
42:23Oh, my God
42:24I love you, Emily
42:25I love you
42:26I love you
42:27I love you
42:28Wow
42:29Hey
42:30Hey
42:31Hello, guys
42:32First of all
42:33Thank you for that amazing performance
42:35It was incredible
42:36It's a standing up dress
42:38It is
42:39I know you put on a show
42:42Thank you so much
42:43Thank you
42:44Just terrific
42:45I know
42:46And also I want to say
42:47Congratulations on everything that's happened to you since the last time you were on the show
42:50Oh, it's been a whirlwind
42:51I mean
42:52Broke records at the Brits
42:53Performing at the Grammys
42:54The Oscars
42:55It's just
42:56It's phenomenal
42:57I'm so happy for you
42:58I'm so happy for you
42:59So happy for you
43:00And
43:01Can I ask you a question on that?
43:02With all your success
43:04Did you lean into being more you?
43:07Definitely, yeah
43:08Yeah
43:09Yeah
43:10Like that right there
43:11Is me
43:12Thank you
43:14And that is the new single that's out now
43:17Where is my husband?
43:18And that voice we heard at the end
43:20Yes
43:21Is it true that that's your granny?
43:22It's my grandma
43:23Yes
43:24I don't know if you picked it up
43:25This is right at the end of the track
43:27Your husband is coming
43:29Come on grandma
43:32That's my best friend
43:33She's my best friend
43:35I call that lady every night
43:36We pray together
43:37We talk about life together
43:38That's my rock
43:39Punny
43:40No pun intended
43:43You know I sang your song today on the radio
43:45You did?
43:46What do you mean?
43:47Yeah
43:48Greg James
43:49I sang it
43:50Like it was a challenge to me
43:51Like the rap portion
43:52Because you know there's like a
43:53Like a rhythm to it
43:54Well you sang I would like a ring?
43:55Yes
43:56It was crazy
43:57Yes
43:58No I butchered it
43:59But it was terrible
44:01It was terrible
44:02I'll tell her it was terrible
44:03But
44:04I did
44:05So congratulations on everything
44:06Oh my god
44:07I would love to get that footage
44:08Please
44:09It's one of those life achievements
44:12That is the new single
44:14And it's it's going to be on the new album
44:16Yes
44:17Now when in the new album coming out?
44:19So you can pre-order it
44:21Great
44:22Pre-order it but it's just not done at all
44:23Like at all
44:24I'm an independent artist right you've got to get ahead of these things
44:29You know
44:30OK
44:31We put it out there
44:32I've kind of given myself a rough deadline
44:33I would like to say the first third of next year
44:36Definitely the first half of next year
44:38OK so I
44:40OK this is not what I thought
44:43Sorry
44:44I thought it was kind of like done
44:45You were just doing a little polishing
44:46Oh no
44:47No
44:48Yeah maybe add some
44:49Add some horns to that
44:50No
44:51Not at all
44:52OK
44:53So are you writing it right now?
44:54I am
44:55Yeah
44:56So it's a beautiful process but it does take time
44:59And I
45:00Yeah
45:01Yeah I handed him where is my husband eight days before it come out
45:05Do you know what I mean?
45:06So I'm combing away at it chipping away
45:08No this could be better we should add this
45:10Yeah
45:11When you're writing do you sleep or are you just always churning with it?
45:14No you need rest being tired in the studio is the worst
45:17Yeah
45:18Yeah you need to be on you need to be present
45:20And I think it's kind of like imagining your guys crafts
45:23You know when your your heart starts beating and you just feel like
45:26This adrenaline goes and you're like I'm where I need to be right now
45:29I need to chase this feeling it's that feeling you know
45:31Yeah
45:32Being tired in the studio your songs are gonna suck
45:34In terms of finishing the album
45:37Tell me this does the album at least have a name?
45:40Um
45:41Not really kind of kind of kind of
45:44Kind of kind of
45:46What is it kind of called?
45:47Um
45:50Not that I'd answer like crazy
45:53Kind of is the title right now
45:55Kind of is the title right now
45:56Oh nice nice kind of
45:58Yeah
45:59Actually so if Matthew McConaughey says it it's cool
46:01Yeah I need one of them you know they do quotes of like you know
46:03It's just like Matthew McConaughey kind of
46:05Yeah
46:07But look the one thing we do know is you are going on tour
46:12Yes
46:13Yes you are and when does that kick off?
46:15Next year and um
46:17Yeah we just announced a fifth O2 arena like
46:20Can you believe it?
46:21That is phenomenal
46:22Oh
46:23It is phenomenal
46:24And it's interesting because we were uh
46:27We've been talking about family a lot tonight
46:29And your tour is going to be a family affair
46:31It is my two beautiful sisters
46:34Who are here is that them right there?
46:36That's them over there
46:37Get over here now
46:38Emma absolutely come on up
46:40Come on sister
46:42Give it up
46:43Hello
46:44Emma absolutely
46:47Hello
46:48How to see you
46:49Well done
46:50You did one
46:51So this is Emma and absolutely and you are going on tour
46:55Now absolutely you've been on tour with Ray before?
46:58Yes
46:59I have
47:00This is like some fever dream right now
47:02Is it weird everyone is just staring at you?
47:05Yes it is
47:06You sound like you are not thrilled at the idea of going back on tour
47:11You are like yes I have
47:13It's a good dream
47:14She is
47:15She is
47:16Abby is the shy one of us three
47:17A bit more
47:18Yeah
47:19Mother named you absolutely
47:20Oh that would be amazing
47:21No
47:22No
47:23My name is Abby
47:24Abby Lynn
47:25Where'd absolutely come from?
47:26I was
47:27That's your name?
47:28Tequila
47:29Tequila
47:30You imagine it
47:33You said absolutely
47:35Abby
47:36You said it
47:37No
47:38But that is what you're called
47:39You're called absolutely
47:40Yeah that's your stage name
47:41That's my artist name
47:42Ah there you go
47:43I didn't just make it up Matthew
47:45I didn't just look at the woman and go
47:47Looks like an absolutely to me
47:49Abby's too short it feels rude
47:52This is just a real moment
47:53I'm just saying
47:54My sister's on one side
47:55I know it's so weird
47:56And then you guys on the other side
47:58It's really abnormal
48:00Yeah
48:01You'll ever believe who's in the lounge
48:02Well you're looking
48:06Well listen
48:07Good luck with the tour
48:08I know you're adding lots of extra dates
48:10So it's
48:11You're going to be together for quite a long time
48:13Yeah
48:14So enjoy it
48:15Yeah
48:16And Ray
48:17Thank you
48:18Great performance for the ages
48:19Thank you
48:20It was just fantastic
48:21Thank you
48:22Ray everybody
48:23Thank you
48:24Oh my god
48:25That is it for tonight
48:26Sadly no time for red chairs
48:28I'm afraid
48:29So please thank the rest of my guests
48:30James Norton
48:31Woo
48:32Matthew McConaughey
48:35Woo
48:36Emily Blunt
48:39Woo
48:40And Mr Dwayne Johnson
48:42Join me next week with another great line-up
48:47Lewis Capaldi
48:48Donald Gleeson
48:49Jodie Turner-Smith
48:50Greta Lee
48:51Oscar winner
48:52Cillian Murphy
48:53And the one and only
48:54Taylor Swift
48:55I'll see you then
48:56Good night or whatever
48:57Bye
Be the first to comment